{"id":127,"date":"2015-08-31T11:17:23","date_gmt":"2015-08-31T14:17:23","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/ciawp\/?page_id=127"},"modified":"2023-12-23T13:45:12","modified_gmt":"2023-12-23T16:45:12","slug":"orexia","status":"publish","type":"page","link":"http:\/\/ciaexcessos.com.br\/en\/tales-frey\/criacoes\/orexia\/","title":{"rendered":"Orexia (2014)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5509 size-full\" title=\"Performance art \/ Installation\u00a0&quot;Orexia&quot;\u00a0(2014),\u00a0by Tales Frey. Photos by Nath\u00e1lia Mello.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia.jpeg\" alt=\"\" width=\"1944\" height=\"1250\" srcset=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia.jpeg 1944w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-300x193.jpeg 300w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-768x494.jpeg 768w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-1024x658.jpeg 1024w\" sizes=\"auto, (max-width: 1944px) 100vw, 1944px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Performance art \/ Installation\u00a0<\/span><strong><span lang=\"EN-US\">Orexia<\/span><\/strong><span lang=\"EN-US\">\u00a0(2014),\u00a0by Tales Frey. Photos by Nath\u00e1lia Mello<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">The miscellany of images that apparently were not related in a first configuration that occurred through a night disturbance, resulting, obviously, in a chaotic set of associations that generated a visibly schizophrenic cohesion, ended up making complete sense, discourse on the motes that delineate ideological thoughts of the eroticism art merged into an aesthetic of horror through ritualistic and, to a certain extent, anthropophagic ceremonial, mixing dissimilar ideas through a dinner served during the performance that gave rise to the <i>Orexia\u00a0<\/i>exhibition, which is composed of eleven videos &#8211; six belonging to the dream and five others incorporated to work by theme affinity &#8211; as well as an installation provoked from the banquet: a \u201cfeijoada\u201d (Brazilian typical food).<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">This performance-installation calls for literal hunger, as well as for an instinct orexia as the main source for the creative process, something that rejects logocentric, rational, phallocentric, &#8220;phalloologocentric&#8221; repression. All instincts are legitimate. All make up the same mixture as the feijoada in the exhibition space.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">VIDEOS SHOWED<\/span><\/strong><\/span><\/h2>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><u><span lang=\"EN-US\">ORIGINATED FROM THE DREAM THAT INVOLVES PERFORMANCE AND INSTALLATION<\/span><\/u><\/strong><u><\/u><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Tales Frey,\u00a0<strong>Coma<\/strong>, 2014. Video, 1\u201943\u201d |\u00a0Tales Frey,\u00a0<strong>Ge tinto the Samba<\/strong>, 2013. Video, 9\u201905\u201d | \u00a0Tales Frey,\u00a0<b>\u00c0-Terra-Dor<\/b>, 2014. Video, 3\u201913\u201d |\u00a0Tales Frey,\u00a0<strong>IDE!<\/strong>, 2014. Video, 4\u201955\u201d |\u00a0Tales Frey,\u00a0<strong>Eu Falo<\/strong>, 2014. <span lang=\"EN-US\">Video, 2\u201952\u201d |\u00a0Tales Frey,\u00a0<\/span><strong><span lang=\"EN-US\">Segundo Bate-Boca<\/span><\/strong><span lang=\"EN-US\">, 2014. Video, 6\u201910\u201d<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span style=\"text-decoration: underline;\"><u><span lang=\"EN-US\">VIDEOS, INCORPORATED AND ELABORATED ON THE BASIS OF OTHER DREAMS, PRIOR TO THE DREAM THAT POSSIBILATES THE EXPOSURE<\/span><\/u><\/span><\/strong><\/span><\/h3>\n<p><span style=\"color: #000000;\"><span lang=\"EN-US\">Tales Frey,\u00a0<\/span><strong><span lang=\"EN-US\">By a Thread<\/span><\/strong><span lang=\"EN-US\">, 2012. <\/span>Video, 3\u201941\u201d |\u00a0Tales Frey,\u00a0<strong>Cabra-Cega, o que Perdeste?<\/strong>, 2011. <span lang=\"EN-US\">Video, 1\u201954\u201d |\u00a0Tales Frey,\u00a0<\/span><strong><span lang=\"EN-US\">Hit-and-Miss<\/span><\/strong><span lang=\"EN-US\">, 2011. Video, 3\u201912\u201d |\u00a0Tales Frey,\u00a0<\/span><strong><span lang=\"EN-US\">Hit-and-Miss II<\/span><\/strong><span lang=\"EN-US\">, 2011. Video, 2\u201925\u201d<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><u><span lang=\"EN-US\">VIDEO INCORPORATED BY AFFINITY IN THE THEME, BUT IT IS NOT OF ONYRICAL ORDER<\/span><\/u><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Hilda de Paulo\/Paulo Aureliano da Mata,\u00a0<strong>Abused<\/strong><b>\u00a0Romance<\/b>, 2011. Video, 4\u201930\u2019\u2019<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">CREDITS<\/span><\/strong><\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Performance art\/Installation by Tales Frey | Duration of the action: about 3 hours | Production: Cia. <\/span>Excessos | Rio de Janeiro, Brazil 2014<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><strong>TRAJECTORY<\/strong><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2014]<\/strong>\u00a0Performance art \/ installation\u00a0<strong>Orexia<\/strong>\u00a0by Tales Frey. Barrac\u00e3o Maravilha, Rio de Janeiro, Brazil.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5512 size-full\" title=\"Poster of performance-installation \/ exhibition &quot;Orexia&quot; (2014), by Tales Frey.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-2.jpeg\" alt=\"\" width=\"2083\" height=\"1387\" srcset=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-2.jpeg 2083w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-2-300x200.jpeg 300w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-2-768x511.jpeg 768w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-2-1024x682.jpeg 1024w\" sizes=\"auto, (max-width: 2083px) 100vw, 2083px\" \/><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5511 size-full\" title=\"Poster of performance-installation \/ exhibition &quot;Orexia&quot; (2014), by Tales Frey.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-1.jpeg\" alt=\"\" width=\"2142\" height=\"1199\" srcset=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-1.jpeg 2142w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-1-300x168.jpeg 300w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-1-768x430.jpeg 768w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-1-1024x573.jpeg 1024w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Orexia-1-180x100.jpeg 180w\" sizes=\"auto, (max-width: 2142px) 100vw, 2142px\" \/><\/p>\n<p style=\"text-align: center;\"><span lang=\"EN-US\" style=\"color: #000000;\">Posters of performance-installation \/ exhibition <strong>Orexia<\/strong> (2014), by Tales Frey<\/span><\/p>\n<p>&nbsp;<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/95620116?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Tales Frey,<span class=\"apple-converted-space\">\u00a0<\/span><strong>Orexia \u2013 Rio de Janeiro<\/strong>, 2014. <span lang=\"EN-US\">Video, 6\u201903\u201d<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<div style=\"padding: 75% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/97380889?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Interview with\u00a0Tales Frey about <\/span><strong><span lang=\"EN-US\">Orexia<\/span><\/strong><span lang=\"EN-US\">\u00a0(2014)\u00a0in Canal Curta<\/span><\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Performance art \/ Installation\u00a0Orexia\u00a0(2014),\u00a0by Tales Frey. Photos by Nath\u00e1lia Mello &nbsp; The miscellany of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":54,"menu_order":518,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-127","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/comments?post=127"}],"version-history":[{"count":31,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/127\/revisions"}],"predecessor-version":[{"id":9382,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/127\/revisions\/9382"}],"up":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/media?parent=127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}