{"id":137,"date":"2015-08-31T11:24:17","date_gmt":"2015-08-31T14:24:17","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/ciawp\/?page_id=137"},"modified":"2023-12-23T13:43:49","modified_gmt":"2023-12-23T16:43:49","slug":"entrar-no-samba","status":"publish","type":"page","link":"http:\/\/ciaexcessos.com.br\/en\/tales-frey\/criacoes\/entrar-no-samba\/","title":{"rendered":"Get into the Samba (2013)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/81904791?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: center;\">Tales Frey,\u00a0<strong>Get into the Samba<\/strong>, 2013. Video, 9\u201905\u201d. Edition: 5 + 2 P.A.<\/p>\n<p style=\"text-align: center;\">Edition 1\/5 is part of the collection of Museum of Modern Art (MAM RJ), Rio de Janeiro, Brazil<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><em>Entrar no Samba\u00a0<\/em><\/span><i><span lang=\"EN-US\">| Get into the Samba (2013) <\/span><\/i><span lang=\"EN-US\">is a video performance that clearly refers to the act of repression, in an environment that produces some sexual connotation and, in some aspect, good-natured, despite the violence of the act.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\">The capture of the original audio, after being treated to issue a drier sound, alludes to the harsh sounds of firearms.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">This work integrates the exhibition Orexia, which was totally originated through a dream and weighted in residency 6X6, which was produced by the NEC (N\u00facleo de Experimenta\u00e7\u00e3o Coreogr\u00e1fica) at the Mosteiro de S\u00e3o Bento da Vit\u00f3ria\u00a0in Porto \u2013 Portugal.<b>\u00a0<\/b><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><strong>TRAJECTORY<\/strong><\/h2>\n<p style=\"text-align: justify;\"><strong><span lang=\"EN-US\">[2017]\u00a0<\/span><\/strong><span lang=\"EN-US\">Collective exhibition<\/span><span class=\"apple-converted-space\"><span lang=\"EN-US\">\u00a0<\/span><\/span><strong><span lang=\"EN-US\">To be or not to be, that&#8217;s the question!? <\/span><\/strong>Curated by Jos\u00e9 Rosinhas. II Biennial of Gaia 2017,\u00a0Vila Nova de Gaia, Portugal.<\/p>\n<p style=\"text-align: justify;\"><strong>[2017] Subterr\u00e2nea #2 \u2013\u00a0Mostra Diversa Videoarte<\/strong>. Curated by Jo\u00e3o Paulo Tiago. <span lang=\"EN-US\">April 2017. Pyranhas, Belo Horizonte, MG, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span lang=\"EN-US\">[2017]<\/span><\/strong><span class=\"apple-converted-space\"><b><span lang=\"EN-US\">\u00a0<\/span><\/b><\/span><span lang=\"EN-US\">Collective Exhibition<\/span><strong><span lang=\"EN-US\">Feminists Transits<\/span><\/strong><span lang=\"EN-US\">. <\/span>CES \u2013 Center for Social Studies, Coimbra, Portugal.<\/p>\n<p style=\"text-align: justify;\"><strong><span lang=\"EN-US\">[2017] Queer Stock<\/span><\/strong><span lang=\"EN-US\">. The Complex Space, Dublin, Ireland.<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span lang=\"EN-US\">[2016]<\/span><\/strong><span class=\"apple-converted-space\"><b><span lang=\"EN-US\">\u00a0<\/span><\/b><\/span><strong><span lang=\"EN-US\">Topical Breach<\/span><\/strong><span lang=\"EN-US\">. Curated by Jessica Borusky. Mainsite Gallery, Norman, Oklahoma, USA.<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span lang=\"EN-US\">[2016]\u00a0<\/span><\/strong><span lang=\"EN-US\">Collective exhibition<\/span><strong><span lang=\"EN-US\">In State of War<\/span><\/strong><span lang=\"EN-US\">.\u00a0<\/span>Curated by Hilda de Paulo and Tales Frey. Teatro Acad\u00e9mico de Gil Vicente, Coimbra, Portugal.<\/p>\n<p style=\"text-align: justify;\"><strong><span lang=\"EN-US\">[2016]<\/span><\/strong><span class=\"apple-converted-space\"><span lang=\"EN-US\">\u00a0<\/span><\/span><strong><span lang=\"EN-US\">Brasil: Ficciones<\/span><\/strong><span lang=\"EN-US\">, Curated by Laurem Crossetti, Espacio Tangente, January and February 2016, Burgos, Spain. <\/span><span lang=\"EN-US\">\u2028<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span lang=\"EN-US\">[2016]\u00a0<\/span><\/strong><span lang=\"EN-US\">Collective Exhibition<\/span><strong><span lang=\"EN-US\">Sob (Ul)Trajes e Gozos<\/span><\/strong><span lang=\"EN-US\">. Curated by Suianni Macedo. <\/span>Julio Dinis Museum, Ovar, Portugal.<\/p>\n<p style=\"text-align: justify;\"><strong>[2015]\u00a0<\/strong>Collective exhibition<strong>(Tra)vestir um fa(c)to<\/strong>. Curated by Jos\u00e9 Maia. Espa\u00e7o MIRA, Porto, Portugal.<\/p>\n<p style=\"text-align: justify;\"><strong>\u00a0[2015] Brasil: Fic\u00e7\u00f5es<\/strong>. Curated by Laurem Crossetti. Armaz\u00e9m do Ch\u00e1, Porto, Portugal.<\/p>\n<p style=\"text-align: justify;\"><strong><span lang=\"EN-US\">[2014]\u00a0<\/span><\/strong><span lang=\"EN-US\">Collective exhibition\u00a0<\/span><strong><span lang=\"EN-US\">\u201cTrees Outside the Academy\u201d: Collective Practices<\/span><\/strong><span lang=\"EN-US\">. <\/span>Organization: Maria Luis Neivas and Ricardo Areias. Centro para os Assuntos da Arte e Arquitectura \u2013 CAAA. Guimaraes, Portugal.<\/p>\n<p style=\"text-align: justify;\"><strong>[2014]<\/strong>\u00a0Collective exhibition<strong>DIRECTION(S) #2<\/strong>.\u00a0Curated by Lu\u00edsa Rosas and Ana Catarina Brito. F\u00f3rum Maia, Maia, Portugal.<\/p>\n<p style=\"text-align: justify;\"><strong>[2014]\u00a0Exhibition Orexia<\/strong>. Barrac\u00e3o Maravilha, Rio de Janeiro, Brazil.<\/p>\n<p style=\"text-align: justify;\"><strong><span lang=\"EN-US\">[2014]\u00a0Collective Exhibition Corpo (I)materializado<\/span><\/strong><span lang=\"EN-US\">. Curated by Hilda de Paulo and Tales Frey. Mostra Performatus #1, Central Galeria de Arte, S\u00e3o Paulo, Brazil<\/span><span style=\"color: #000000;\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5518 size-full\" title=\"Tales Frey, &quot;Get into the Samba&quot; (Poliptych), 2013. Photos, 27 x 48 cm each. Edition: 5 + 2 P.A.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Entrar-no-Samba.jpeg\" alt=\"\" width=\"1380\" height=\"3289\" srcset=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Entrar-no-Samba.jpeg 1380w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Entrar-no-Samba-126x300.jpeg 126w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Entrar-no-Samba-768x1830.jpeg 768w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Entrar-no-Samba-430x1024.jpeg 430w\" sizes=\"auto, (max-width: 1380px) 100vw, 1380px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Tales Frey, <b>Get into the Samba <\/b>(Poliptych), 2013. Photos, 27 x 48 cm each. Edition: 5 + 2 P.A<\/span>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/102349654?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Tales Frey explain the video<\/span><span class=\"apple-converted-space\"><span lang=\"EN-US\">\u00a0<\/span><\/span><strong><span lang=\"EN-US\">Get into the Samba<\/span><\/strong><span class=\"apple-converted-space\"><span lang=\"EN-US\">\u00a0<\/span><\/span><span lang=\"EN-US\">(2013) in the exhibition<\/span><span class=\"apple-converted-space\"><span lang=\"EN-US\">\u00a0<\/span><\/span><strong><span lang=\"EN-US\">(Tra)Vestir um Fa(c)to<\/span><\/strong><span class=\"apple-converted-space\"><span lang=\"EN-US\">\u00a0<\/span><\/span><span lang=\"EN-US\">(2015)\u00a0at Espa\u00e7o MIRA in Porto in Portugal<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3444 size-full\" title=\"Mostra &quot;Queer Stock&quot; (2017). The Complex Space, Dublin, Irlanda. Fotografia de Bruno Arsati.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/Queer-Stock.jpg\" alt=\"\" width=\"685\" height=\"457\" srcset=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/Queer-Stock.jpg 685w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/Queer-Stock-300x200.jpg 300w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><strong><span lang=\"EN-US\">Queer Stock<\/span><\/strong><span class=\"apple-converted-space\"><b><span lang=\"EN-US\">\u00a0<\/span><\/b><\/span><span lang=\"EN-US\">(2017). The Complex Space, Dublin, Ireland<\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Tales Frey,\u00a0Get into the Samba, 2013. Video, 9\u201905\u201d. Edition: 5 + 2 P.A. Edition [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":54,"menu_order":521,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-137","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/comments?post=137"}],"version-history":[{"count":26,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/137\/revisions"}],"predecessor-version":[{"id":9379,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/137\/revisions\/9379"}],"up":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/media?parent=137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}