{"id":5191,"date":"2019-08-19T01:35:41","date_gmt":"2019-08-19T04:35:41","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/?page_id=5191"},"modified":"2021-01-03T21:04:45","modified_gmt":"2021-01-04T00:04:45","slug":"cinco-taticas-de-ativacao","status":"publish","type":"page","link":"http:\/\/ciaexcessos.com.br\/en\/tales-frey\/exposicoes\/cinco-taticas-de-ativacao\/","title":{"rendered":"Five Activation Tactics (2019)"},"content":{"rendered":"

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From the intersection between performance, video, photography, relational object, and instruction, the exhibited works not only admit interaction but make better sense when activated by the audience. Through the use of props, costumes or specific objects (which are able to provide sculptural forms on or through human support), the audience becomes a participant, blending sculpture and dance in the communion between their bodies and artifacts<\/span>.<\/span><\/p>\n

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ARTWORKS<\/span><\/b><\/h3>\n

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1)<\/strong>\u00a0Tales Frey,\u00a0To Be Privy<\/strong>, 2017. Video, 3\u201950\u2019\u2019;<\/p>\n

2)<\/strong>\u00a0Tales Frey,\u00a0To Be Privy<\/strong>, 2017. Photo;<\/p>\n

3)<\/strong>\u00a0Instruction to activate the object\u00a0To Be Privy<\/strong>;<\/p>\n

4)<\/strong>\u00a0Tales Frey,\u00a0To Be Privy \u2013 Object<\/strong>, 2017. Object;<\/p>\n

5)<\/strong>\u00a0Tales Frey,\u00a0Sensitive Group<\/strong>, 2018. Performative costume + instruction + photographic polyptych;<\/p>\n

6)<\/strong>\u00a0Tales Frey,\u00a0Common Point<\/strong>, 2018. Video, 2\u201944\u201d + Instruction to activate the costume Common Point \u2013 Relational Costume<\/strong>;<\/p>\n

7)<\/strong>\u00a0Tales Frey,\u00a0Common Point \u2013 Relational Costume<\/strong>, 2018. Performative costume;<\/p>\n

8)<\/strong>\u00a0Tales Frey,\u00a0Il Faut Souffrir pour \u00catre Belle<\/strong>, 2018. Video, 2\u201903\u2019\u2019 + demonstrative objects + activation instruction;<\/p>\n

9)<\/strong>\u00a0Tales Frey,\u00a0Dress<\/strong>.\u00a0Photo \/ performance \/ Activism. 2018 + activation instruction.<\/p>\n

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Solo exhibition Five Activation Tactics<\/strong>\u00a0(2019) by Tales Frey. CAAA Centro para os Assuntos da Arte e Arquitectura, Guimar\u00e3es, Portugal. Photos by Hilda de Paulo<\/p>\n

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Solo exhibition Five Activation Tactics<\/span><\/strong>\u00a0<\/span>(2019) by Tales Frey. CAAA Centro para os Assuntos da Arte e Arquitectura, Guimar\u00e3es, Portugal. Photos by Hilda de Paulo<\/span><\/p>\n

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Parallel Program of the Exhibition<\/u><\/strong> <\/span><\/span>Five Activation Tactics<\/u><\/strong><\/em><\/h3>\n

March 9, 2019, 4pm: Conversation with artist Tales Frey<\/span><\/p>\n

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Educational Service<\/span><\/h3>\n

February 23, 2019, from 11am<\/span><\/p>\n

Visit-Workshop for Families<\/strong>, Rita Medinas Faustino<\/p>\n

Duration of approximately 120 minutes<\/em><\/p>\n

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CREDITS<\/strong><\/h3>\n

Frey Tales: Five Activation Tactics | CAAA Center for the Affairs of Art and Architecture, Guimar\u00e3es, Portugal | Press Office: Sara Cunha | Educational Service: Rita Medinas Faustino | Graphic Design: Joel Queiroga | Editing: Igor Sampaio | Intern \/ Editing: Nuno Pires | Realization: CAAA Center for the Affairs of Art and Architecture | Funded: Government of Portugal – Secretary of State for Culture and DGArtes \/ Directorate-General for the Arts | Acknowledgments: Hilda de Paulo, Olga Machado and T\u00e2nia Dinis | From January 11 to March 16, 2019<\/p>\n

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Clipping<\/h3>\n

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