{"id":6463,"date":"2020-09-01T22:33:39","date_gmt":"2020-09-02T01:33:39","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/?page_id=6463"},"modified":"2023-12-23T13:19:53","modified_gmt":"2023-12-23T16:19:53","slug":"dos-gestos-que-sobrevivem-em-nos","status":"publish","type":"page","link":"http:\/\/ciaexcessos.com.br\/en\/tales-frey\/criacoes\/dos-gestos-que-sobrevivem-em-nos\/","title":{"rendered":"Gestures that Survive in Us (2020)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/446663567?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><span lang=\"PT-BR\" style=\"color: #000000;\"><span lang=\"EN-US\">Tales Frey,<b> Gestures that Survive in Us<\/b>, 2020. Video, 4\u201929\u201d. Edition: 15 + 2 P.A.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\"><em>Gestures that Survive in Us<\/em> is a video conceived based on a proposition aimed at nine performers, each one in their respective home recording required situations with a specific aesthetic resolution.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">In this work, we see nine different bodies covered by garments of the same shade and, although all bodies are standardized due to the monochromatic feature of what surrounds them, we can understand their differentiation through their gestures and, even with their camouflaged physicalities and disfigured, we intuit how unstable and unrepeatable each interiority presented.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Overlapping layers of moving images comment on a time when we are mediated by screens, while the audios captured from our environments determine a very particular time frame that corresponds to the period of the creation process, implicating audios of news and noises that involved us and certainly they transformed us together with the whole conjuncture that surrounds us, after all we are constantly transformed by those around us and, at the same time, we modify everything around us<\/span>.\u00a0<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u00a0<\/strong><\/span><\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>CREDITS<\/strong><\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Proposition by Tales Frey |\u00a0Performers (creation of bodies compositions): Alan Oju, Alexandre Marchesini, Chris Oliveira, Dolores Galindo, Helena Marc, Lucas Heymanns, Tino Nascimento, Vin\u00edcius Davi and Yohana Oizumi<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Porto\/Portugal 2020<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #000000;\"><b>TRAJECTORY<\/b><\/span><\/h2>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2023]<\/strong> <strong>Pequenos Formatos<\/strong>. Ateli\u00ea Galeria FFAC, Porto Portugal.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2023]<\/strong> <strong>ARCOlisboa<\/strong> &#8211; Verve Gallery stand &#8211; Opening Sector. The Cordoaria Nacional, Lisbon, Portugal.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2023]<\/strong> <strong>SESC Campinas<\/strong>. Campinas-SP, Brasil.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022]<\/strong> Solo exhibition <strong>Sharing Illusions<\/strong>. Verve Gallery, S\u00e3o Paulo-SP, Brazil. <\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022]<\/strong> SESC Campinas. Campinas-SP, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2021]<\/strong> <strong>Shared Skins<\/strong>. Oficina Cultural Oswald Andrade, S\u00e3o Paulo-SP, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2021] Between Tension and Delirium<\/strong>.\u00a0CAAA Centro Para os Assuntos da Arte e Arquitectura, Guimaraes, Portugal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2020] PLAY Festival de Videoarte y Cine experimental.<\/strong>\u00a0Centro Cultural Universitario, Corrientes, Argentina.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2020] Crossed Bodies.<\/strong>\u00a0MEANWHILE Gallery, Wellington, New Zealand.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2020] <\/strong><b><span lang=\"PT-BR\">Meat Indicators<\/span><\/b><span lang=\"PT-BR\">.\u00a0Galeria Ocupa, Porto, Portugal.<\/span><\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Tales Frey, Gestures that Survive in Us, 2020. Video, 4\u201929\u201d. Edition: 15 + 2 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":54,"menu_order":484,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6463","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/6463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/comments?post=6463"}],"version-history":[{"count":10,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/6463\/revisions"}],"predecessor-version":[{"id":9364,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/6463\/revisions\/9364"}],"up":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/media?parent=6463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}