{"id":7612,"date":"2021-08-03T00:01:06","date_gmt":"2021-08-03T03:01:06","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/?page_id=7612"},"modified":"2023-12-23T13:12:57","modified_gmt":"2023-12-23T16:12:57","slug":"pe-45-sem-par-manipulacao-i-e-ii","status":"publish","type":"page","link":"http:\/\/ciaexcessos.com.br\/en\/tales-frey\/criacoes\/pe-45-sem-par-manipulacao-i-e-ii\/","title":{"rendered":"XXL Lag With Single Foot \u2013 Manipulation I and II (2021)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/710176680?h=dbaf3f85cd&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Tales Frey,\u00a0<strong>XXL Lag with Single Foot \u2013 Manipulation I and II<\/strong>, 2021. Video, 4\u2019<\/span><\/p>\n<p>&nbsp;<\/p>\n<div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><i><span lang=\"EN-US\">XXL Lag With Single Foot \u2013 Manipulation I<\/span><\/i><span lang=\"EN-US\"> and <i>II<\/i> consist of experiences that embody a continuous series of performances that always take place through the manipulation of the variants of the sculpture <i>XXL Lag With Single Foot<\/i>, which experiments are completely ephemeral and each performance becomes unique and unrepeatable with respect to its initial configuration.<\/span><\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">The first action in this series \u2013 activated with the participation of Hilda de Paulo \u2013 took place as a rehearsal for the rite of passage <i>XXL Lag With Single Foot \u2013 Manipulation II<\/i>, working as a performance for the camera. In the second manipulation, I only relate my body to the object in space, always in the process of composition\/decomposition and, at the same time, the destruction of matter and a new construction through its recombination. The performative program of the second manipulation took place in dialogue with an action by the musical composer Lea Petra who, in a parallel setting, composes experimental sounds through the annihilation of the gestures necessary for the classical fulfillment of the music performed through a piano and, thus, in harmony, the two actions enter into a spontaneous dialogue, where the exchange of stimuli is mutual in body, sound and visual rhythms. <i>XXL Lag With Single Foot \u2013 Manipulation II<\/i> is performed as an anniversary rite of passage belonging to the <i>Memento Mori<\/i> series<\/span>.<\/span><\/div>\n<p>&nbsp;<\/p>\n<div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Based on the actions and the two documentations, the compilation of both performances into a single video emerged, entitled <i>XXL Lag With Single Foot \u2013 Manipulation I<\/i> and <i>II<\/i><\/span><span style=\"text-align: justify;\">.<\/span><\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #000000;\">CREDITS<\/span><\/h2>\n<p><span style=\"color: #000000;\"><u>Manipulation I<\/u>: Performance by Tales Frey |\u00a0Invited performer: Hilda de Paulo |\u00a0Camera: T\u00e2nia Dinis |\u00a0Porto\/Portugal 2021<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><u>Manipulation II<\/u>: Performance by Tales Frey | Invited performer: Lea Petra | Camera: Eve Bonneau e Julie Dumont | Brussels\/Belgium 2021<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2><span style=\"color: #000000;\"><b>TRAJECTORY<\/b><\/span><\/h2>\n<h3><span style=\"color: #000000;\"><u>LIVE<\/u><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2021]<\/strong>\u00a0<strong>Exquisite Corpses<\/strong>.\u00a0<span lang=\"EN-US\">ZSenne Arte Laboratory, Brussels, Belgium<\/span>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><u>AS VIDEO AND\/OR PHOT<\/u><u>O<\/u><\/span><\/h3>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2023]<\/strong> <strong>4\u00ba Festival Internacional de Videodan\u00e7a do Rio Grande do Sul<\/strong>. Funda\u00e7\u00e3o ECARTA, Porto Alegre-RS, Brazil.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022]<\/strong> <strong>12th Under the Subway Video Art Night<\/strong>. St. Nicholas Park in Manhattan, Nova York.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022]<\/strong> Solo exhibition <strong>Sharing Illusions<\/strong>. Verve Gallery,\u00a0S\u00e3o Paulo-SP, Brazil. <\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022]<\/strong> SESC Campinas. Campinas-SP, Brazil. <\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022]<\/strong> Solo exhibition <strong>INDEXXX<\/strong>. Ocupa Gallery. Porto, Portugal. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022] Academia Corpus<\/strong>. Galeria do Lago, Museu da Rep\u00fablica \/ Pal\u00e1cio do Catete, Rio de Janeiro-RJ, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2021]<\/strong>\u00a0SESC Avenida Paulista. Foyer and online program, S\u00e3o Paulo, Brazil.<\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Tales Frey,\u00a0XXL Lag with Single Foot \u2013 Manipulation I and II, 2021. Video, 4\u2019 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":54,"menu_order":478,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7612","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/7612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/comments?post=7612"}],"version-history":[{"count":12,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/7612\/revisions"}],"predecessor-version":[{"id":9361,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/7612\/revisions\/9361"}],"up":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/media?parent=7612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}