{"id":8377,"date":"2022-09-18T11:51:59","date_gmt":"2022-09-18T14:51:59","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/?page_id=8377"},"modified":"2022-09-20T00:52:32","modified_gmt":"2022-09-20T03:52:32","slug":"body-of-art","status":"publish","type":"page","link":"http:\/\/ciaexcessos.com.br\/en\/tales-frey\/curadoria-organizacao\/body-of-art\/","title":{"rendered":"Thomas Szott: &#8220;Body of Art&#8221; (2022)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8599 size-large\" title=\"Thomas Szott,\u00a0&quot;Beloved&quot;, 2022.\u00a0Graphite, vinyl sticker and acrylic paint on paper, 55 x 65 cm.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott2-864x1024.png\" alt=\"\" width=\"640\" height=\"759\" srcset=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott2-864x1024.png 864w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott2-253x300.png 253w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott2-768x910.png 768w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott2-1296x1536.png 1296w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott2-1728x2048.png 1728w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><span lang=\"PT-BR\">Thomas Szott,\u00a0<\/span><strong><span lang=\"EN-US\">Beloved<\/span><\/strong>, 2022.\u00a0<span lang=\"EN-US\">Graphite, vinyl sticker and acrylic paint on paper<\/span>, 55 x 65 cm<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">Through drawings, objects, sculptures and textual narratives, Thomas Szott risks revealing the autobiographical tenor of his visual poetics expanded beyond the pages of his diary. Through dissimilar languages, there is a central issue that is based on approaches to the body, its identities and subjectivations, where bodies represented and recognized as masculine do not expose the vigor of a masculinity understood as hegemonic, because they express their delicacy when they reveal precisely the anxieties generated by the social constructs that shape our desires, our dreams so crossed by a romantic structuring, therefore unreal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">Thomas Szott exposes different versions of himself by presenting either confessional autobiographies, or allegorical representations of his possible intimate desires that can be understood as trustworthy or totally idealized, where \u201cthe other\u201d (as in dreams) is none other than the very person who imagine in his\/her dream constructions.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">The semantics of the conjuncture of the artist&#8217;s creations verify and, at the same time, deny the symbolic constructions so blatant in a cisheterocentric and masculinist culture, because by weakening masculinities in his symbolic compositions, not associating them only with the idea of virility and absolute robustness, Thomas makes a critical verification of what has always legitimized a dominant position of subjects who recognize themselves as male identities in our society, since the artist underlines in his creations how utopian the completeness of a hegemonic identity is that meets all the rigid requirements of cisheteropatriarchy, emphasizing that no one in the world fulfills it in its entirety.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">We could deduce that in the case of representations of heterosexual male identities, it would be unmistakable that such awareness was evident from the beginning, but there are those who fall into the ambushes of the outdated cishomonorma and, fortunately, Thomaz Szott has the sensitivity to produce something that could not fit into it<\/span>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div>\n<p class=\"Body\" style=\"text-align: right;\"><span lang=\"PT-BR\" style=\"color: #000000;\">Tales Frey<\/span><\/p>\n<p class=\"Body\" style=\"text-align: right;\"><span style=\"color: #000000;\"><em><span lang=\"PT-BR\">Curator<\/span><\/em><\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><b>ARTWORKS<\/b><\/span><\/h3>\n<p><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8597 aligncenter\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Mapa.png\" alt=\"\" width=\"362\" height=\"566\" srcset=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Mapa.png 362w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Mapa-192x300.png 192w\" sizes=\"auto, (max-width: 362px) 100vw, 362px\" \/><\/span><\/p>\n<div style=\"text-align: justify;\">\n<p><span style=\"color: #000000;\"><strong>1)<\/strong> <span lang=\"PT-BR\">Thomas Szott,\u00a0<\/span><strong>Light Chaser<\/strong>,\u00a02022. <span lang=\"EN-US\">Graphite on paper<\/span>, 30,9 x 21 cm;<\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p><span style=\"color: #000000;\"><strong>2)<\/strong> <span lang=\"PT-BR\">Thomas Szott,\u00a0<\/span><strong><span lang=\"EN-US\">The Last Star in the Sky (The Last Chance to Be Happy)<\/span><\/strong>,\u00a02022.\u00a0<span lang=\"EN-US\">Graphite on paper<\/span>, 59,4 x 80 cm;<\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p><span style=\"color: #000000;\"><span lang=\"EN-US\"><strong>3)<\/strong> <span lang=\"PT-BR\">Thomas Szott,\u00a0<\/span><\/span><strong><span lang=\"EN-US\">Where I come to Die<\/span><\/strong><span lang=\"EN-US\">, 2021.\u00a0<\/span><span lang=\"EN-US\">Graphite on paper<\/span>, 42 x 42 cm;<\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p><span style=\"color: #000000;\"><strong>4)<\/strong> <span lang=\"PT-BR\">Thomas Szott,\u00a0<\/span><strong><span lang=\"EN-US\">A Place To Run To<\/span><\/strong>, 2021.\u00a0<span lang=\"EN-US\">Graphite on paper<\/span>, 21 x 30 cm cada;<\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p><span style=\"color: #000000;\"><strong>5)<\/strong> <span lang=\"PT-BR\">Thomas Szott,\u00a0<\/span><strong><span lang=\"EN-US\">What Is My Nobody Takes Me Away<\/span><\/strong>,\u00a02021.\u00a0<span lang=\"EN-US\">Suitcase, various fabrics, ceramics, steel wire and oil paint, variable dimensions; <\/span><\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p><span style=\"color: #000000;\"><strong>6)<\/strong> <span lang=\"PT-BR\">Thomas Szott,\u00a0<\/span><strong><span lang=\"EN-US\">Special<\/span>,<\/strong>\u00a02021.\u00a0<span lang=\"EN-US\">Oil, oil pastel, graphite and colored pencils on paper<\/span>, 105 x 75 cm;<\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p><span style=\"color: #000000;\"><strong>7)<\/strong> <span lang=\"PT-BR\">Thomas Szott,\u00a0<\/span><strong><span lang=\"EN-US\">Running From the Things I Don&#8217;t Talk About<\/span><\/strong>, 2021.\u00a0<span lang=\"EN-US\">Oil pastel on paper<\/span>, 14,8 x 21 cm cada;<\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p><span style=\"color: #000000;\"><strong>8)<\/strong> <span lang=\"PT-BR\">Thomas Szott,\u00a0<\/span><strong>Flying Alone<\/strong>,\u00a02021.\u00a0<span lang=\"EN-US\">Plastic, plaster and acrylic paint<\/span>, 42 x 27 x 58 cm;<\/span><\/p>\n<\/div>\n<div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>9)<\/strong> <span lang=\"PT-BR\">Thomas Szott,\u00a0<\/span><strong><span lang=\"EN-US\">Beloved<\/span><\/strong>, 2022.\u00a0<span lang=\"EN-US\">Graphite, vinyl sticker and acrylic paint on paper<\/span>, 55 x 65 cm.<\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8598 size-full\" title=\"Details of some works shown in the &quot;Body of Art&quot;\u00a0exhibition at Sput&amp;Nik the Window. September and October 2022, Porto, Portugal.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"1824\" srcset=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott-scaled.jpeg 2560w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott-300x214.jpeg 300w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott-1024x729.jpeg 1024w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott-768x547.jpeg 768w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott-1536x1094.jpeg 1536w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/09\/Thomas-Szott-2048x1459.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span lang=\"EN-US\" style=\"color: #000000;\">Details of some works shown in the <strong>Body of Art<\/strong>\u00a0exhibition at Sput&amp;Nik the Window. September and October 2022, Porto, Portugal<\/span><\/p>\n<p>&nbsp;<\/p>\n<div>\n<h2><span style=\"color: #000000;\">CREDITS<\/span><\/h2>\n<\/div>\n<div style=\"text-align: justify;\">\n<p><span lang=\"EN-US\" style=\"color: #000000;\">Thomas Szott:<span class=\"apple-converted-space\">\u00a0<\/span><em>Body of Art<\/em><\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p><span lang=\"EN-US\" style=\"color: #000000;\">Curator: Tales Frey<\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p><span lang=\"EN-US\" style=\"color: #000000;\">17 September to 09 October 2022<\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p><span lang=\"EN-US\" style=\"color: #000000;\">Sput&amp;Nik the Window<\/span><\/p>\n<\/div>\n<div>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">Porto, Portugal<\/span><\/p>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Thomas Szott,\u00a0Beloved, 2022.\u00a0Graphite, vinyl sticker and acrylic paint on paper, 55 x 65 cm [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5271,"menu_order":95,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8377","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/8377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/comments?post=8377"}],"version-history":[{"count":11,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/8377\/revisions"}],"predecessor-version":[{"id":8604,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/8377\/revisions\/8604"}],"up":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/5271"}],"wp:attachment":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/media?parent=8377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}