{"id":98,"date":"2015-08-31T11:03:57","date_gmt":"2015-08-31T14:03:57","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/ciawp\/?page_id=98"},"modified":"2023-12-23T13:42:44","modified_gmt":"2023-12-23T16:42:44","slug":"atendo-ao-molde","status":"publish","type":"page","link":"http:\/\/ciaexcessos.com.br\/en\/tales-frey\/criacoes\/atendo-ao-molde\/","title":{"rendered":"Getting the Mold (2013)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/67314636?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Tales Frey,\u00a0<\/span><b><span lang=\"EN-US\">Getting the Mold<\/span><\/b><em><span lang=\"EN-US\">,\u00a0<\/span><\/em><span lang=\"EN-US\">2013. Video, 1\u201904\u2019\u2019. Edition: 5 + 2 P.A<\/span>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">I stayed for the duration of two groups of narrow lighted candles on my hands. <\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">I constantly kept as still I can (which is practically impossible). The goal was to shape a sort of pair of &#8220;gloves&#8221; on me, but the hot liquid didn&#8217;t fix to my body and just burned my two hands. The video recording is presented as exaggerated and accelerated video performance. The movement in the action is quite subtle when viewed in its full time, but when it is unreasonably fast, it suggests a kind of possession due to the oscillation energy of my body.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>TRAJECTORY<\/strong><\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><b>[2019] Functional Metaphors for Bodies in Space<\/b>, Galeria Monumental, Lisboa, Portugal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2017] FONLAD \u2013 Festival Internacional de V\u00eddeo Arte e Performance<\/strong>. <span lang=\"EN-US\">Santa Clara Gallery, Coimbra, Portugal.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">[2017] Rapid Pulse International Performance Art \u2013 Video Series \/ Embodied Politics<\/span><\/strong><span lang=\"EN-US\">. Curated by Giana Gambino. Defibrillator Gallery, Chicago, USA.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">[2016]\u00a0The Nature of the Margin<\/span><\/strong><span lang=\"EN-US\">. Curator:\u00a0Jos\u00e9 Apar\u00edcio Gon\u00e7alves.\u00a0XX Queer Lisbon Festival, Oficina Irm\u00e3os Marques, Lisbon, Portugal.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">\u00a0[2016]<\/span><\/strong><span class=\"apple-converted-space\"><span lang=\"EN-US\">\u00a0<\/span><\/span><strong><span lang=\"EN-US\">Brasil: Ficciones<\/span><\/strong><span lang=\"EN-US\">, Curated by Laurem Crossetti, Espacio Tangente, January and February 2016,<\/span><span lang=\"EN-US\">\u2028<\/span><span lang=\"EN-US\">Burgos, Spain. <\/span><span lang=\"EN-US\">\u2028<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">\u00a0[2015]\u00a0<\/span><\/strong><span lang=\"EN-US\">Collective exhibition<\/span><strong><span lang=\"EN-US\">(Tra)vestir um Fa(c)to<\/span><\/strong><span lang=\"EN-US\">. Curated by Jos\u00e9 Maia. <\/span>Espa\u00e7o MIRA, Porto, Portugal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>\u00a0[2015]<\/strong><span class=\"apple-converted-space\">\u00a0<\/span><strong>Brasil: Fic\u00e7\u00f5es<\/strong>. Curated by Laurem Crossetti. Armaz\u00e9m do Ch\u00e1, Porto, Portugal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">[2014]\u00a0<\/span><\/strong><span lang=\"EN-US\">Collective exhibition<\/span><span class=\"apple-converted-space\"><span lang=\"EN-US\">\u00a0<\/span><\/span><strong><span lang=\"EN-US\">Fashion and Religiosity in Body Marks. <\/span><\/strong><strong>Organization by Cia. Excessos. SESC Rio Preto, S\u00e3o Jos\u00e9 do Rio Preto, Brazil. <\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">[2014]<\/span><\/strong><span class=\"apple-converted-space\"><span lang=\"EN-US\">\u00a0<\/span><\/span><span lang=\"EN-US\">Collective exhibition<\/span><span class=\"apple-converted-space\"><span lang=\"EN-US\">\u00a0<\/span><\/span><strong><span lang=\"EN-US\">Fashion and Religiosity in Body Marks<\/span><\/strong><span lang=\"EN-US\">. <\/span><strong><span lang=\"EN-US\">Organization by Cia. Excessos<\/span><\/strong><span lang=\"EN-US\">. SESC Campinas, SP, Brazil.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">[2013]<\/span><\/strong><span class=\"apple-converted-space\"><span lang=\"EN-US\">\u00a0<\/span><\/span><span lang=\"EN-US\">Collective exhibition<\/span><span class=\"apple-converted-space\"><span lang=\"EN-US\">\u00a0<\/span><\/span><strong><span lang=\"EN-US\">Fashion and Religiosity in Body Marks<\/span><\/strong><span lang=\"EN-US\">. <\/span><strong>Organization by Cia. Excessos.<\/strong>Centro para os Assuntos da Arte e Arquitectura \u2013 CAAA, Guimaraes, Portugal.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5527 size-full\" title=\"Tales Frey,\u00a0&quot;Getting the Mold&quot;\u00a0(Triptych), 2013. Photos, 48 x 27 cm each.\u00a0Edition: 5 + 2 P.A.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Atendo-ao-Molde.jpeg\" alt=\"\" width=\"1866\" height=\"3275\" srcset=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Atendo-ao-Molde.jpeg 1866w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Atendo-ao-Molde-171x300.jpeg 171w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Atendo-ao-Molde-768x1348.jpeg 768w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2019\/12\/Tales-Frey-Atendo-ao-Molde-583x1024.jpeg 583w\" sizes=\"auto, (max-width: 1866px) 100vw, 1866px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Tales Frey,\u00a0<\/span><b><span lang=\"EN-US\">Getting the Mold\u00a0<\/span><\/b><span lang=\"EN-US\">(Triptych), 2013. Photos, 48 x 27 cm each.\u00a0Edition: 5 + 2 P.A.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2147\" title=\"Tales Frey, &quot;Atendo ao Molde - Objeto&quot;, 2013. Fotografia, 50 x 33,3 cm. \u2028Edi\u00e7\u00e3o: 5 + 2 P.A.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/Tales-Frey.-Atendo-ao-Molde-Objeto-682x1024.jpg\" alt=\"\" width=\"1000\" height=\"1501\" srcset=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/Tales-Frey.-Atendo-ao-Molde-Objeto-682x1024.jpg 682w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/Tales-Frey.-Atendo-ao-Molde-Objeto-200x300.jpg 200w, http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/Tales-Frey.-Atendo-ao-Molde-Objeto.jpg 853w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Tales Frey,<span class=\"apple-converted-space\">\u00a0<\/span><\/span><b><span lang=\"EN-US\">Getting the Mold<strong>\u2013 Object<\/strong><\/span><\/b><span lang=\"EN-US\">, 2013. Photo, 50 x 33,3 cm. <\/span><span lang=\"EN-US\">\u2028<\/span><span lang=\"EN-US\">Edition: 5 + 2 P.A.<\/span><\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Tales Frey,\u00a0Getting the Mold,\u00a02013. Video, 1\u201904\u2019\u2019. Edition: 5 + 2 P.A. &nbsp; I stayed [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":54,"menu_order":523,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-98","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/98","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/comments?post=98"}],"version-history":[{"count":25,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/98\/revisions"}],"predecessor-version":[{"id":9377,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/98\/revisions\/9377"}],"up":[{"embeddable":true,"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"http:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/media?parent=98"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}