{"id":108,"date":"2015-08-31T11:08:43","date_gmt":"2015-08-31T14:08:43","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/ciawp\/?page_id=108"},"modified":"2023-12-23T13:42:11","modified_gmt":"2023-12-23T16:42:11","slug":"o-beijo","status":"publish","type":"page","link":"https:\/\/ciaexcessos.com.br\/en\/tales-frey\/criacoes\/o-beijo\/","title":{"rendered":"The Kiss (2006)"},"content":{"rendered":"

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Tales Frey and Cristine \u00c1gape,\u00a0<\/span>The Kiss<\/span><\/strong>. Performance art <\/span>realized\u00a0<\/span>in Rio de Janeiro, Brazil. March\u00a02006. Photo by Hugus F\u00e9lix,\u00a037,4 x 28,1 cm.\u00a0Edition: 3 + 2 P.A.<\/span><\/span><\/p>\n

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The first kiss \u2013 A 30 minutes kiss makes the observer doubt if what is happening is an\u00a0performance art <\/i>or a random surprise. Tales Frey wears miniskirts and Cristine \u00c1gape dressed baggy pants. The artists were not invited to the exhibition \u201cErotic \u2013 The Sense of Art\u201d at CCBB (Cultural Centre of Bank of Brazil) in Rio de Janeiro but they were not censored as M\u00e1rcia X. <\/span><\/span><\/p>\n

They weren’t invited but they wanted to be incorrectly censored as Marcia X.!<\/span><\/span><\/p>\n<\/div>\n

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CREDITS<\/strong><\/span><\/h2>\n

Creation by Tales Frey and\u00a0Cristine \u00c1gape | Invited performers to other presentations: Helena Ferreira, Grasiele Sousa a.k.a Grasiele Cabelodroma and T\u00e2nia Dinis | Length of the action: 30 minutes | Year of the creation: 2006<\/span><\/p>\n

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TRAJECTORY<\/strong><\/span><\/h2>\n

LIVE<\/u><\/strong><\/span><\/h3>\n

[2016]\u00a0XX Queer Lisbon<\/strong>. Late Birds, Lisbon, Portugal.<\/span><\/p>\n

[2015]<\/strong>\u00a0<\/span>Performance em Encontro<\/strong>. Curated by C\u00e1ssio Quit\u00e9rio. SESC Campinas, Campinas, SP, Brazil.<\/span><\/p>\n

[2015]<\/span><\/strong>\u00a0<\/span><\/span>Collective exhibition\u00a0<\/span><\/span>The Walking, Listening and Breathing of Action<\/span><\/strong>.<\/span><\/em>\u00a0<\/span><\/span>Curated by Jos\u00e9 Maia, Susana Rodrigues\u00a0and Maria C\u00f4rte-Real. Quinta da Bonj\u00f3ia, Porto, Portugal.<\/span><\/p>\n

[2007]<\/strong>\u00a0<\/span>MOLA 2007 \u2013 Mostra Livre de Artes<\/strong>. Circo Voador, Rio de Janeiro, Brazil.<\/span><\/p>\n

[2006]<\/span><\/strong>\u00a0<\/span><\/span>An intervention originally designed to be performed (without authorization) at the Cultural Centre of Bank of Brazil (CCBB) during the exhibition\u00a0<\/span>Erotic \u2013 The Sense of Art<\/b>. <\/span>Rio de Janeiro, Brazil.<\/span><\/p>\n

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AS VIDEO AND\/OR PHOTOGRAPHY<\/span><\/u><\/strong><\/span><\/h3>\n

[2016]\u00a0<\/strong>Collective exhibition\u00a0In State of War<\/strong>.\u00a0Curated by Hilda de Paulo e Tales Frey. Teatro Acad\u00e9mico de Gil Vicente, Coimbra, Portugal.<\/span><\/p>\n

[2016]\u00a0<\/span><\/strong>Collective Exhibition\u00a0<\/span>Sob (Ul)Trajes e Gozos<\/span><\/strong>. Curated by Suianni Macedo. <\/span>J\u00falio Dinis Museum, Ovar, Portugal.<\/span><\/p>\n

[2015]\u00a0<\/strong>Collective exhibition\u00a0(Tra)vestir um fa(c)to<\/strong>. Curated by Jos\u00e9 Maia. Espa\u00e7o MIRA, Porto, Portugal.<\/span><\/p>\n

[2015]<\/span><\/strong>\u00a0<\/span><\/span>Collective exhibition\u00a0<\/span>Kiss me<\/span><\/strong>. Curated by Hilda de Paulo e Tales Frey<\/span>. SESC Ribeirao Preto, Ribeirao Preto, Brazil.<\/span><\/p>\n

[2014]\u00a0<\/span><\/strong>Collective exhibition\u00a0<\/span>Fashion and Religiosity in Body Marks<\/span><\/strong>. <\/span>Organized by Tales Frey. SESC Rio Preto, S\u00e3o Jos\u00e9 do Rio Preto, Brazil.<\/span><\/p>\n

[2013]\u00a0<\/span><\/strong>Collective exhibition\u00a0<\/span>Fashion and Religiosity in Body Marks<\/span><\/strong>. Organized by Tales Frey. SESC Campinas, SP, Brazil.<\/span><\/span><\/p>\n

[2013]<\/span><\/strong>\u00a0<\/span><\/span>Collective exhibition\u00a0<\/span>Kiss me<\/span><\/strong>. Curated by Hilda de Paulo e Tales Frey<\/span>. Esta\u00e7\u00e3o Cultura, IV Festival de Formas Po\u00e9ticas, Catanduva, SP, Brazil.<\/span><\/p>\n

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