{"id":117,"date":"2015-08-31T11:12:20","date_gmt":"2015-08-31T14:12:20","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/ciawp\/?page_id=117"},"modified":"2023-12-23T13:39:13","modified_gmt":"2023-12-23T16:39:13","slug":"reciprocidade-desalmada","status":"publish","type":"page","link":"https:\/\/ciaexcessos.com.br\/en\/tales-frey\/criacoes\/reciprocidade-desalmada\/","title":{"rendered":"Soulless Reciprocity (2010)"},"content":{"rendered":"

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Tales Frey,\u00a0<\/span>Soulless Reciprocity<\/span><\/strong>. Performance art showed in Porto, Portugal. May\u00a02015. Photo\u00a0by Patr\u00edcia Barbosa\/ Espa\u00e7o MIRA.\u00a0Installation with 6 mirrors, 60 x 40 cm each<\/span><\/span><\/p>\n

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Soulless Reciprocity<\/em> is an art performance and consists in a group of artists kissing some mirrors for 1 hour. The framed mirrors are placed along the sidewalk or in the white gallery, the place variants. Women wear looks that are considered menswear while men wear looks considered female clothes.<\/span><\/p>\n

This performance establishes a link between him and her<\/em>, her and her<\/em>, him and him<\/em>, breaking taboos regarding the social role of the person as to their gender, that in this action is presented with a multiple character through the act of kissing the own image conventionally subverted.<\/span><\/p>\n

Naturally, this action carries the myth of Narcissus to a new context, not only about the concept of worshiping the own image, but understanding the complexity of the multifaceted person, filled with a lot of instincts and desires.<\/span><\/p>\n

This work belongs to the sequence The Kiss<\/em>, held in Rio de Janeiro, which originated a second version in that city. This creation has triggered the development of The Other Asphalt Kiss<\/em> and after Soulless Reciprocity<\/em>\u00a0both held in Oporto \u2013 Portugal.<\/span><\/p>\n

The position of the mouth on the mirror seems to form a powerful sound box<\/em>, and the sound of the kiss is surprisingly high and can be noticed even in the video that recorded the action.<\/span><\/p>\n

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CREDITS<\/strong><\/span><\/h2>\n

Conception by Tales Frey | Invited performers: Ana Brito, Ana Santos, Ana Tarrinho, Angelina Nogueira, B., Cl\u00e1udia Daiane, Gabriel Souza, Genival Miranda, Helena Ferreira, Hilda de Paulo, Isabela Mardin, Isabele Contarin, Joana Lleys, Jo\u00e3o D. Marqu\u00eas, Lizi Menezes, Lu\u00edsa Rosas, Maiara Fabrizia, Mailson Mota, Mariana Madeira, Miguel Ambrizzi, Mvinni, Naju Conde, Nuno Olivieri, Paula Guedes, Priscilla Davanzo, Ricardo Braga, Stefanie Santana, Thales Maniezzo, Vald\u00edvia Tolentino and Yara Maria<\/span>\u00a0| Duration: 60 minutos | Year of the creation: 2010<\/span><\/span><\/p>\n

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TRAJECTORY<\/strong><\/span><\/h2>\n

LIVE<\/u><\/strong><\/span><\/h3>\n

[2018]\u00a0<\/span><\/strong>SENAC Catanduva, Catanduva-SP, Brazil.<\/span><\/span><\/p>\n

[2015]\u00a0<\/span><\/strong>Exhibition\u00a0(Tra)vestir um fa(c)to<\/strong>. Curated by Jos\u00e9 Maia. Espa\u00e7o MIRA, Porto, Portugal.<\/span><\/span><\/p>\n

[2012]<\/span><\/strong>\u00a0<\/span><\/span>XII FLUP Art History Week<\/span><\/strong>. Faculty of Arts, University of Porto, Porto, Portugal.<\/span><\/strong><\/span><\/p>\n

[2011]\u00a0<\/span><\/strong>Exhibition\u00a0Love me<\/strong>. Curated by Teresa Melo. <\/span>Mercado Negro – Cultural Intervention Space, Aveiro, Portugal.<\/span><\/span><\/p>\n

[2010]<\/span><\/strong>\u00a0Alma da Rua 2010<\/strong>. Lomographic Embassy, Porto, Portugal.<\/span><\/span><\/p>\n

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AS VIDEO, INSTALLATION AND\/OR PHOTO<\/span><\/u><\/strong><\/span><\/h3>\n

[2016]\u00a0<\/span><\/strong>Exhibition\u00a0In State of War<\/strong>. <\/span>Teatro Acad\u00e9mico de Gil Vicente TAGV, Coimbra, Portugal.<\/span><\/span><\/p>\n

[2015]<\/span><\/strong>\u00a0E<\/span><\/span>xhibition<\/span>\u00a0<\/span><\/span>(Tra)vestir um Fa(c)to<\/span><\/strong>. Curated by Jos\u00e9 Maia. Espa\u00e7o MIRA, Porto, Portugal.<\/span><\/span><\/p>\n

[2015]<\/span><\/strong>\u00a0E<\/span><\/span>xhibition<\/span>\u00a0<\/span><\/span>Kiss me<\/span><\/strong>. SESC Ribeir\u00e3o Preto, Ribeir\u00e3o Preto-SP, Brazil.<\/span><\/span><\/p>\n

[2014]<\/span><\/strong>\u00a0E<\/span><\/span>xhibition Fashion and Religiosity in Body Marks<\/strong>. <\/span>SESC Rio Preto, S\u00e3o Jos\u00e9 do Rio Preto-SP, Brazil.<\/span><\/span><\/p>\n

[2014]<\/span><\/strong>\u00a0E<\/span><\/span>xhibition Fashion and Religiosity in Body Marks<\/strong>. <\/span>SESC Campinas, Campinas-SP, Brazil.<\/span><\/span><\/p>\n

[2013]<\/span><\/strong>\u00a0E<\/span><\/span>xhibition Fashion and Religiosity in Body Marks<\/strong>. <\/span>Centro para os Assuntos da Arte e Arquitectura, Guimar\u00e3es, Portugal.<\/span><\/span><\/p>\n

[2013]<\/span><\/strong>\u00a0<\/span>E<\/span><\/span>xhibition Kiss me<\/strong>. IV Festival de Formas Po\u00e9ticas, Esta\u00e7\u00e3o Cultura, Catanduva-SP, Brazil.<\/span><\/span><\/p>\n

[2012]\u00a0<\/span><\/strong>Feminist Studies Colloquium: The Future of the Past<\/b>. Colloquium for postgraduate studies in Feminist Studies at the Faculty of Arts of the University of Coimbra, Coimbra, Portugal.<\/span><\/span><\/p>\n

[2011]<\/span><\/strong>\u00a0<\/span><\/span>Direct Action 2011<\/span><\/strong>. Institut F\u00fcr Alles M\u00f6gliche, Berlin, German.<\/span><\/span><\/p>\n

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