{"id":4579,"date":"2018-11-24T12:08:27","date_gmt":"2018-11-24T14:08:27","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/?page_id=4579"},"modified":"2023-12-23T13:57:58","modified_gmt":"2023-12-23T16:57:58","slug":"il-faut-souffrir-pour-etre-belle","status":"publish","type":"page","link":"https:\/\/ciaexcessos.com.br\/en\/tales-frey\/criacoes\/il-faut-souffrir-pour-etre-belle\/","title":{"rendered":"You have to suffer to be beautiful (2018)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6032\" title=\"Tales Frey,\u00a0&quot;Il Faut Souffrir pour \u00catre Belle&quot;, 2018. Photography, Edition: 15 + 2 P.A.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/05\/Tales-Frey-Il-Faut-Souffrir-pour-Etre-Belle-683x1024.jpg\" alt=\"\" width=\"1000\" height=\"1499\" srcset=\"https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/05\/Tales-Frey-Il-Faut-Souffrir-pour-Etre-Belle.jpg 683w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/05\/Tales-Frey-Il-Faut-Souffrir-pour-Etre-Belle-200x300.jpg 200w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Tales Frey,\u00a0<strong>Il Faut Souffrir pour \u00catre Belle<\/strong>, 2018. Photography, Edition: 5 + 2 P.A.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/291774127?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Tales Frey<span lang=\"EN-US\">,<span class=\"apple-converted-space\">\u00a0<\/span><\/span><b><span lang=\"EN-US\">You have to suffer to be beautiful<\/span><\/b><span lang=\"EN-US\">, 2018. Video performance, 2\u201903\u2019\u2019. Edition: 5 + 2 P.A.<\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u00a0<\/strong><\/span><\/p>\n<div style=\"padding: 100% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/733798423?h=f4e893ce65&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"font-weight: 400; text-align: center;\"><span style=\"color: #000000;\">Presentation of the performance art <strong>Il Faut Souffrir pour \u00catre Belle<\/strong> during the exhibition \u201cSharing Illusions\u201d at Verve Gallery in S\u00e3o Paulo. July 2022<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\">On the tips of two large nails, I support my heels and balance myself on such objects for a short time, and then, as I do not resist, I break the erect posture and, again, I balance myself on the objects. I repeat the action over and over until my body is exhausted.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\">Evidently, in this creation, there is an allusion made to the use of high heels and, with that, the relationship between fashion and the ideal of beauty and pain. Metaphorically, in addition to the various layers of meanings that the work brings, this creation comments on the illusory idea of ascension so commonplace in our routines subjected to the reality of today&#8217;s consumer society, where an arduous sacrifice hardly guarantees reaching the top and staying there.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400; color: #000000;\">This work can be presented as performance art, photography, and video.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u00a0<\/strong><\/span><\/p>\n<h2 style=\"text-align: justify;\"><strong>TRAJECTORY<\/strong><\/h2>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><u>LIVE<\/u><\/span><\/h3>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022]<\/strong>\u00a0<strong>Sharing Illusions <\/strong>solo exhibition. Verve Galeria, S\u00e3o Paulo-SP, Brazil.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022]<\/strong>\u00a0<strong>Noche de Performance<\/strong>. AT|AL| 609 \u2013 lugar de investiga\u00e7\u00f5es art\u00edsticas, Campinas-SP, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2019] Functional Metaphors for Bodies in Space<\/strong>. Monumental Gallery, Lisbon, Portugal<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><u>AS VIDEO AND INSTALLATION<\/u><\/span><\/h3>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022] Academia Corpus<\/strong>. Galeria do Lago. Museu da Rep\u00fablica, Rio de Janeiro-RJ, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022]<\/strong>\u00a0<strong>Be Ing \u2013 Genre \/ Identit\u00e9s \/ Repr\u00e9sentations<\/strong>. Espace D\u2019art Contemporain: L\u2019angle. La Roche-Sur-Foron, France.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2021]<\/strong>\u00a0<strong>Poetic ou Political<\/strong>. Mupy Gallery. Porto, Portugal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2021] Montanhas D\u2019Artes \u2013 Festival de Artes de Oliveira do Hospital<\/strong>, Pa\u00e7os do Concelho do Munic\u00edpio, Oliveira do Hospital, Portugal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2021]<\/strong> <strong>What Can a Body Do?<\/strong>, SP-Arte 365 and Galeria Verve, S\u00e3o Paulo-SP, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">[2020] SP-ARTE Viewing Room<\/span><\/strong><span lang=\"EN-US\">. Galeria Verve. On-Line Program. S\u00e3o Paulo-SP, Brazil.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">[2020] What is About Tomorrow.<\/span><\/strong><strong><span lang=\"EN-US\"> Arte Veine<\/span><\/strong><span lang=\"EN-US\">. On-Line Program. Curated by Nelson Ricardo Martins. <\/span><span lang=\"PT-BR\">Rio de Janeiro-RJ, Brazil.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"PT-BR\">[2020] IV Encontro Intercontinental e Intergal\u00e1ctico de Performance \u2013 Buraco Negro, Caia Dentro<\/span><\/strong><span lang=\"PT-BR\">. <\/span><span lang=\"EN-US\">Casa Mad\u00e1, Londrina-PR, Brazil.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">[2019]9th Under the Subway Video Art Night<\/span><\/strong><span lang=\"EN-US\">, curated by Antonio Ortuno, Open Air Art Movie Cinema in D\u00fcsseldorf, German; JCC Harlem in New York City, USA; El M\u00e1s Ac\u00e1 Club Cultural Asociation in Buenos Aires, Argentina; Atelier Sanit\u00e1rio in Rio de Janeiro (organized by Bruna Costa), Brazil; Convent Carmen in Valencia, Spain; Genalguacil Pueblo Museo in M\u00e1laga, Spain; ArtSpace in Mexico City.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"PT-BR\" style=\"color: #000000;\">[2019]<span class=\"apple-converted-space\">\u00a0<\/span><strong>Tijuana Performera<\/strong>, Enclave Caracol, Tijuana, Mexico.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">[2019] Functional Metaphors for Bodies in Space<\/span><\/strong><span lang=\"EN-US\">, Monumental Gallery, Lisbon, Portugal.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"PT-BR\">[2019] Five Activation Tactics. Centro para os Assuntos da Arte e Arquitectura<\/span><\/strong><span lang=\"PT-BR\">, Guimar\u00e3es, Portugal.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">[2018]\u00a0The Body Never Exists in Itself \u2013 First Experimentation<\/span><\/strong><span lang=\"EN-US\">. Zsenne Art Laboratory, Brussels, Belgium.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7828 size-full\" title=\"&quot;Il Faut Souffrir pour \u00catre Belle&quot; (2018) during the collective exhibition\u00a0&quot;Poetic or Political?&quot; (2021), with curatorship by Jo\u00e3o Baeta. Mupi Gallery, Porto, Portugal. Photo by Jo\u00e3o P\u00e1dua\/Saco Azul.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/01\/Tales-Frey-Poetico-e-Politico-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/01\/Tales-Frey-Poetico-e-Politico-scaled.jpg 2560w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/01\/Tales-Frey-Poetico-e-Politico-300x200.jpg 300w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/01\/Tales-Frey-Poetico-e-Politico-1024x683.jpg 1024w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/01\/Tales-Frey-Poetico-e-Politico-768x512.jpg 768w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/01\/Tales-Frey-Poetico-e-Politico-1536x1024.jpg 1536w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2022\/01\/Tales-Frey-Poetico-e-Politico-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/span><\/p>\n<p style=\"font-weight: 400; text-align: center;\"><span style=\"color: #000000;\"><strong>Il Faut Souffrir pour \u00catre Belle<\/strong> (2018) during the collective exhibition\u00a0<strong>Poetic or Political?<\/strong> (2021), with curatorship by Jo\u00e3o Baeta. Mupi Gallery, Porto, Portugal. Photo by Jo\u00e3o P\u00e1dua\/Saco Azul<\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Tales Frey,\u00a0Il Faut Souffrir pour \u00catre Belle, 2018. Photography, Edition: 5 + 2 P.A. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":54,"menu_order":498,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4579","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/4579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/comments?post=4579"}],"version-history":[{"count":18,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/4579\/revisions"}],"predecessor-version":[{"id":9402,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/4579\/revisions\/9402"}],"up":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/media?parent=4579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}