{"id":4581,"date":"2018-11-24T12:24:41","date_gmt":"2018-11-24T14:24:41","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/?page_id=4581"},"modified":"2023-12-23T13:58:59","modified_gmt":"2023-12-23T16:58:59","slug":"o-corpo-nunca-existe-em-si-mesmo-variante-i","status":"publish","type":"page","link":"https:\/\/ciaexcessos.com.br\/en\/tales-frey\/criacoes\/o-corpo-nunca-existe-em-si-mesmo-variante-i\/","title":{"rendered":"The Body Never Exists in Itself \u2013 Variant I (2018)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/297528680?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><span lang=\"PT-BR\">Tales Frey,<span class=\"apple-converted-space\"> <b><span lang=\"EN-US\">The Body Never Exists in Itself \u2013 Variant I<\/span><\/b><\/span><\/span><span lang=\"PT-BR\">, 2018. Video, 4&#8217;13&#8221;<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Five performers walk for an hour, side by side, with their feet connected by special shoes. On the one hand, we assume a harmonious conviviality between the distinct singularities that are exposed, and, on the other hand, we perceive their differences aligned in a conditioned living ventriloquism<\/span>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>CREDITS<\/strong><\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Performance by <\/span>Tales Frey | <span lang=\"EN-US\">Performers invited: Fernanda Moraes, Gustavo Frey, Lyz Parayzo, Paola Frey, Rafael Holland and V\u00edtor Moraes<\/span>. | <span lang=\"PT-BR\">Duration: <\/span>60 minutos<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><strong>TRAJECTORY<\/strong><\/h2>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><u>LIVE<\/u><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022]<\/strong> SESC Santo Amaro. Sao Paulo-SP, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022]<\/strong> SESC Campinas. Campinas-SP, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2019]<\/strong>\u00a0SESC Interlagos. Sao Paulo, SP, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2019]<\/strong> SESC Jundia\u00ed. Jundia\u00ed, SP, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2018]<\/strong>\u00a0SESC Av. Paulista. Sao Paulo, SP, Brazil.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><u>AS VIDEO AND INSTALLATION<\/u><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2019] In Dance Positions<\/strong>. Curadoria de Daniela Labra. Centro Municipal de Arte H\u00e9lio Oiticica, Rio de Janeiro, RJ, Brasil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2019] Functional Metaphors for Bodies in Space<\/strong>, Galeria Monumental, Lisboa, Portugal.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6199 size-full\" title=\"&quot;The Body Never Exists in Itself - Variante I&quot; (2018), by Tales Frey, in the collective exhibition &quot;In Dance Positions&quot;. Centro Municipal de Arte Helio Oiticica, Rio de Janeiro-RJ, Brazil, 2019. Photograph by Hilda de Paulo.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/05\/Tales-Frey-O-Corpo-Nunca-Existe-em-Si-Mesmo-Variante-I-CMAHO.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/05\/Tales-Frey-O-Corpo-Nunca-Existe-em-Si-Mesmo-Variante-I-CMAHO.jpg 1024w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/05\/Tales-Frey-O-Corpo-Nunca-Existe-em-Si-Mesmo-Variante-I-CMAHO-300x200.jpg 300w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/05\/Tales-Frey-O-Corpo-Nunca-Existe-em-Si-Mesmo-Variante-I-CMAHO-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>The Body Never Exists in Itself &#8211; Variante I<\/strong> (2018), by Tales Frey, in the collective exhibition <strong>In Dance Positions<\/strong>. Centro Municipal de Arte Helio Oiticica, Rio de Janeiro-RJ, Brazil, 2019. Photograph by Hilda de Paulo<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6200\" title=\"Activation of the work &quot;The Body Never Exists in Itself - Variant I&quot; (2018), by Tales Frey, during collective exhibition &quot;In Dance Positions&quot;. Centro Municipal de Arte Helio Oiticica, Rio de Janeiro-RJ, Brazil, 2019. Photograph by Hilda de Paulo.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/05\/Tales-Frey-O-Corpo-Nunca-Existe-em-Si-Mesmo-Variante-I-CMAHO-2.jpg\" alt=\"\" width=\"1000\" height=\"1333\" srcset=\"https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/05\/Tales-Frey-O-Corpo-Nunca-Existe-em-Si-Mesmo-Variante-I-CMAHO-2.jpg 768w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/05\/Tales-Frey-O-Corpo-Nunca-Existe-em-Si-Mesmo-Variante-I-CMAHO-2-225x300.jpg 225w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Activation of the work <strong>The Body Never Exists in Itself &#8211; Variant I<\/strong> (2018), by Tales Frey, during collective exhibition <strong>In Dance Positions<\/strong>. Centro Municipal de Arte Helio Oiticica, Rio de Janeiro-RJ, Brazil, 2019. Photograph by Hilda de Paulo<\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Tales Frey, The Body Never Exists in Itself \u2013 Variant I, 2018. Video, 4&#8217;13&#8221; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":54,"menu_order":495,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4581","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/4581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/comments?post=4581"}],"version-history":[{"count":17,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/4581\/revisions"}],"predecessor-version":[{"id":9405,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/4581\/revisions\/9405"}],"up":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/media?parent=4581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}