{"id":5506,"date":"2019-12-15T01:21:12","date_gmt":"2019-12-15T03:21:12","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/?page_id=5506"},"modified":"2023-12-23T13:45:45","modified_gmt":"2023-12-23T16:45:45","slug":"reverso","status":"publish","type":"page","link":"https:\/\/ciaexcessos.com.br\/en\/tales-frey\/criacoes\/reverso\/","title":{"rendered":"Reverse (2014)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1011\" title=\"Tales Frey, &quot;Reverse&quot;. Performance art showed in Guimar\u00e3es, Portugal. June 2014. Photo by Hilda de Paulo.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/Tales-Frey-Reverso-1-1024x683.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/Tales-Frey-Reverso-1-1024x683.jpg 1024w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/Tales-Frey-Reverso-1-300x200.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Tales Frey,\u00a0<strong>Reverse<\/strong>. Performance art showed in Guimar\u00e3es, Portugal. June 2014. Photo by Hilda de Paulo<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">On June 20, 2013, I presented my first work of the series of performances that made a commitment to convert the rite of passage of my birthdays in artistic procedures that allude to what we know as <i>memento mori<\/i>. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">\u201cReverse\u201d, the second creation from this series, is a kind of regression to my origin; it is the reverse of the chronological sense as an alternative to refuse the inevitable death of my story. In this performance, with the help of my mother, I trigger a recall of all my birthdays through a game that takes the concept of \u201cmirror stage\u201d by Lacan imbued a narcissistic elucidation, until reach the 8pm of the day June 20, 1982 \u2013 In this date I blocked the first birthday party of my sister to be born, When I leaved the comfort of the womb<\/span>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">DESCRIPTION<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">I lay down on a mirror 2 feet by 1 and remain for 32 minutes contemplating every part of my body that I can see through the mirror while I am listening a recording of a reversed conversation that I had with my mother to remember and learn the details occurring on the day of my birth and all birthday parties until the last before this<\/span>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"EN-US\">CREDITS<\/span><\/strong><\/span><\/h2>\n<p><span lang=\"EN-US\" style=\"color: #000000;\">Performance art by Tales Frey | Participation in audio: Silvana Frey |Duration: 32 minutos<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>TRAJECTORY<\/strong><\/span><\/h2>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><u>LIVE<\/u><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"PT-BR\">[2016]<\/span><\/strong><span class=\"apple-converted-space\"><span lang=\"PT-BR\">\u00a0<\/span><\/span><strong><span lang=\"PT-BR\">Memento Mori<\/span><\/strong><span lang=\"PT-BR\">. SESC Sorocaba, Sorocaba-SP, Brazil.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"PT-BR\">[2016]<\/span><\/strong><span class=\"apple-converted-space\"><span lang=\"PT-BR\">\u00a0<\/span><\/span><strong><span lang=\"PT-BR\">Memento Mori<\/span><\/strong><span lang=\"PT-BR\">. SESC Ribeir\u00e3o Preto, Ribeir\u00e3o Preto-SP, Brazil.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"PT-BR\">[2015]<\/span><\/strong><span class=\"apple-converted-space\"><span lang=\"PT-BR\">\u00a0<\/span><\/span><strong><span lang=\"PT-BR\">Memento Mori<\/span><\/strong><span lang=\"PT-BR\">. SESC Santos, Santos-SP, Brazil.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"PT-BR\">[2015]<\/span><\/strong><span lang=\"PT-BR\">\u00a0<\/span><strong><span lang=\"PT-BR\">Mostra\u00a0Performance em Encontro<\/span><\/strong><span lang=\"PT-BR\">. Curated by C\u00e1ssio Quit\u00e9rio. SESC Campinas, Campinas-SP, Brazil.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"PT-BR\">[2015]<\/span><\/strong><span class=\"apple-converted-space\"><span lang=\"PT-BR\">\u00a0<\/span><\/span><strong><span lang=\"PT-BR\">Foco Brasil<\/span><\/strong><span lang=\"PT-BR\">. Teatro Municipal Rivoli. Porto, Portugal.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span lang=\"PT-BR\">[2014]<\/span><\/strong><span lang=\"PT-BR\">\u00a0Centro para os Assuntos da Arte e da Arquitectura. Guimar\u00e3es, Portugal.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><u>SOB FORMATO\u00a0V\u00cdDEO\u00a0E\/OU\u00a0FOTOGRAFIA<\/u><\/strong><\/span><\/h2>\n<div style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\"><strong>[2021]<\/strong> <b>What Can a Body Do?<\/b>\u00a0SP-Arte 365 and Verve Gallery, S\u00e3o Paulo-SP, Brazil.<\/span><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2020]<\/strong><strong>\u00a0<\/strong><strong>SP\u2013Photo Viewing Room<\/strong>. Galeria Verve. S\u00e3o Paulo, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2020]<\/strong> <strong>La Videoperformance Internazionale<\/strong>. Museum of Contemporary Art MACRO. Roma, Italy.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2018]\u00a0Banheir\u00e3o de Quinta<\/strong>. Curated by Vin\u00edcius Davi. Alinalice, Rio de Janeiro-RJ, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2017]<\/strong><strong>\u00a0<\/strong><strong>FONLAD \u2013 Festival Internacional de V\u00eddeo Arte e Performance<\/strong>. Museu da \u00c1gua, Coimbra, Portugal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2017]<\/strong>\u00a0Exhibition<strong>\u00a02015 Imagens<\/strong> by Jos\u00e9 Caldeira. Teatro Municipal Rivoli, Porto, Portugal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2016]<\/strong>\u00a0Exhibition\u00a0<strong>Memento Mori<\/strong>. Centro para os Assuntos da Arte e Arquitectura, Guimar\u00e3es, Portugal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2016]<\/strong>\u00a0<strong>ENAPE \u2013 Encuentro Nacional de Performance<\/strong>. Curated by Laura Lubozac.\u00a0Pachuca de Soto, Hgo., Mexico.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2016]<\/strong>\u00a0Exhibition\u00a0<strong>La Videoperformance<\/strong>. Curated by Paola Zucchello. Art Web Gallery, Centro d\u2019arte Mediale e Contemporanea, It\u00e1lia.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2015]<\/strong>\u00a0Exhibition\u00a0<strong>Cemit\u00e9rio do Peixe \u2013 Morte e Magia nas Artes Visuais<\/strong>.\u00a0Curated by Francilins. Cemit\u00e9rio do Peixe, Concei\u00e7\u00e3o do Mato Dentro-MG, Brasil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2014] I Encontro de Performance IP\u00earform\u00e1tico<\/strong>. Museu de Arte Contempor\u00e2nea do Mato Grosso do Sul (MARCO). Campo Grande-MS, Brazil.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/100674091?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Tales Frey, <strong>Reverse<\/strong>, 2014. Video, 3\u201956\u201d. Edition: 3 + 2 P.A.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6984 size-full\" title=\"Tales Frey,\u00a0&quot;Reverse&quot;,\u00a02015. Photos, 100 x 67 cm each. Edition: 5 + 2 P.A. each.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/12\/tales-frey-reverso-3.jpeg\" alt=\"\" width=\"3142\" height=\"2329\" srcset=\"https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/12\/tales-frey-reverso-3.jpeg 3142w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/12\/tales-frey-reverso-3-300x222.jpeg 300w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/12\/tales-frey-reverso-3-768x569.jpeg 768w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/12\/tales-frey-reverso-3-1024x759.jpeg 1024w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2020\/12\/tales-frey-reverso-3-270x200.jpeg 270w\" sizes=\"auto, (max-width: 3142px) 100vw, 3142px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Tales Frey,\u00a0<strong>Reverse<\/strong><em>,\u00a0<\/em>2015. Photos, 100 x 67 cm each. Edition: 5 + 2 P.A. each<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3373\" title=\"&quot;Reverse&quot;\u00a0(2014) by\u00a0Tales Frey published in &quot;Emergency Index Volume 4&quot;\u00a0(Ugly Duckling Presse, 2015).\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/emergency-3-1024x682.jpg\" alt=\"\" width=\"1000\" height=\"666\" srcset=\"https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/emergency-3-1024x682.jpg 1024w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/emergency-3-300x200.jpg 300w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/emergency-3-768x512.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>Reverse<\/strong>\u00a0(2014) by\u00a0Tales Frey published in <strong>Emergency Index Volume 4<\/strong>\u00a0(Ugly Duckling Presse, 2015)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3377\" title=\"&quot;Reverse&quot;\u00a0(2014) by\u00a0Tales Frey published in cat\u00e1log\u00a0of the exhibition\u00a0&quot;2015 Imagens&quot;\u00a0by Jos\u00e9 Caldeira.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/reverso-variante-1-1024x747.jpg\" alt=\"\" width=\"1000\" height=\"730\" srcset=\"https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/reverso-variante-1-1024x747.jpg 1024w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/reverso-variante-1-300x219.jpg 300w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/reverso-variante-1-768x560.jpg 768w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2015\/08\/reverso-variante-1.jpg 1280w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>Reverse<\/strong>\u00a0(2014) by\u00a0Tales Frey published in cat\u00e1log\u00a0of the exhibition\u00a0<strong>2015 Imagens<\/strong>\u00a0by Jos\u00e9 Caldeira<\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Tales Frey,\u00a0Reverse. Performance art showed in Guimar\u00e3es, Portugal. June 2014. Photo by Hilda de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":54,"menu_order":517,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5506","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/5506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/comments?post=5506"}],"version-history":[{"count":7,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/5506\/revisions"}],"predecessor-version":[{"id":9383,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/5506\/revisions\/9383"}],"up":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/media?parent=5506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}