{"id":6344,"date":"2020-06-03T23:41:58","date_gmt":"2020-06-04T02:41:58","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/?page_id=6344"},"modified":"2023-12-23T13:28:23","modified_gmt":"2023-12-23T16:28:23","slug":"132-figuras-corporeas","status":"publish","type":"page","link":"https:\/\/ciaexcessos.com.br\/en\/tales-frey\/criacoes\/132-figuras-corporeas\/","title":{"rendered":"One Hundred and Thirty-Two Corporeal Figures as Signical Mediations (2020)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/425144879?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Tales Frey,<b> One Hundred and Thirty-Two Corporeal Figures as Signical Mediations<\/b>, 2020. Video, 2\u201948\u201d. Edition: 15 + 2 P.A<\/span>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">This video art was created as part of the degree in Theater at the University of Minho, where I was invited to teach a practical discipline (Laboratory 6), through which I received full freedom to elaborate a work together with the students of the course.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">As there would initially be a partnership between two institutions from different and distant contexts (University of Minho and Buffalo State &#8211; The State University of New York), I aimed to create choreographic scores that could be activated anywhere in the world and by any group of people and such scores would appear based on the proposition <em>Corpo Coletivo<\/em> (1970) by Lygia Clark and culminate in a structure that united performers and audience across lines (mentioning Clark) and wrapped them in different wrappings that would resume my creation <em>Conjunto Sens\u00edvel<\/em> (2018 ), so that the notions about democracy occur in a practical way in a choreographic, sculptural and sensorial work that harmonizes distinct singularities.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Behold, fifty years after Clark&#8217;s work, the planet is going through a pandemic that makes us avoid physical contacts so that the speed of the spread of a virus is contained and, thus, we are forced to completely transform our creative process, migrating from the tactile to the virtual experience and, thus, the partnership between the institutions ended up not being useful at this moment.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Even though we have kept motes previously initiated, we moved from what we envisioned to happen as a live action for video performance and, later, for video art, having as aesthetic references some artists: Andr\u00e9 Lepecki, Erwim Wurm, H\u00e9lio Oiticica, Lo\u00efe Fuller and, of course, Lygia Clark.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">From online meetings and our incarcerations in our homes, we used materials that were within reach (monochrome clothing and accessories, white sheets and cell phone cameras and recorders) to produce images that express the circumstances in which we are inserted, considering the notions of real and virtual, distancing and approximation, ephemeral and lasting time, freedom and imprisonment, differences and patterns etc.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">The bodies shown in the video form an intertwined set of sign collages, which can hardly be analyzed in a singular way, since the tangle of hybrid physicalities mix people with adornments \/ indications in a structure in which we do not know who a voice really belongs to, nor we are able to intuit the certainty of where a particular domestic noise comes from, as the environments are almost identical in white tones.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Instructed, eleven performers elaborated twelve different corporal figures each, totaling one hundred and thirty-two physical structures and, although we clearly see that they are separate bodies that come together, once together, we do not decipher them separately.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>Credits<\/strong><\/span><\/h2>\n<p style=\"text-align: justify;\"><span lang=\"PT-BR\" style=\"color: #000000;\">Proposition by Tales Frey |\u00a0Performers (creation of texts and bodily constructions): Beatriz Marinho, Joana Delgado, Jo\u00e3o Ars\u00e9nio, Joshua Swift, J\u00falia Antunes, Maria Maciel, Marcia Fernandes, Marta Oliveira Pinto, N\u00e1dia Monteiro, Natalie Hofmann and Sophia Ferreira |\u00a0Porto\/Guimar\u00e3es, Portugal 2020<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>TRAJECTORY<\/strong><\/span><\/h2>\n<div style=\"text-align: justify;\"><span style=\"color: #000000;\"><b>[2022] <\/b>Solo exhibition\u00a0<b>Addressing Strategies to Undress Norms<\/b><i>.\u00a0<\/i>Espa\u00e7o Mira, Porto, Portugal.<\/span><\/div>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2022]<\/strong> SESC Campinas. Campinas-SP, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2021]<\/strong> <strong>29th Quinzena de Dan\u00e7a de Almada \u2013 International Dance Festival, Videodance Show 2021<\/strong>. Almada, Portugal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2021]<\/strong> <strong>Shared Skins<\/strong>. Oficina Cultural Oswald Andrade, S\u00e3o Paulo-SP, Brazil.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2021] Between Tension and Delirium<\/strong>.\u00a0CAAA Centro Para os Assuntos da Arte e Arquitectura, Guimaraes, Portugal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2020]\u00a0<\/strong><strong>Perfo-Red Mx #Confinamiento \u2013 Ciclo De Videoperformance \u2013 #Fase 3<\/strong>. Online. Curatorship by Pancho Lopez, Mexico.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>[2020] Indicadores da Carne<\/strong>.\u00a0Galeria Ocupa, Porto, Portugal.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7208\" title=\"Tales Frey, &quot;One Hundred and Thirty-Two Corporeal Figures as Signical Mediations&quot;, 2020. Digital drawing, 60 x 40 each. Edition: 15 + 2 P.A.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2021\/02\/Tales-Frey-CAAA-Tens\u00e3o-Del\u00edrio-1024x769.jpg\" alt=\"\" width=\"1200\" height=\"901\" srcset=\"https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2021\/02\/Tales-Frey-CAAA-Tens\u00e3o-Del\u00edrio-1024x769.jpg 1024w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2021\/02\/Tales-Frey-CAAA-Tens\u00e3o-Del\u00edrio-300x225.jpg 300w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2021\/02\/Tales-Frey-CAAA-Tens\u00e3o-Del\u00edrio-768x577.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span lang=\"EN-US\" style=\"color: #000000;\">Tales Frey, <b>One Hundred and Thirty-Two Corporeal Figures as Signical Mediations<\/b>, 2020. Digital drawing, 60 x 40 each. Edition: 15 + 2 P.A.<\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Tales Frey, One Hundred and Thirty-Two Corporeal Figures as Signical Mediations, 2020. Video, 2\u201948\u201d. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":54,"menu_order":486,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6344","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/6344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/comments?post=6344"}],"version-history":[{"count":12,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/6344\/revisions"}],"predecessor-version":[{"id":9366,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/6344\/revisions\/9366"}],"up":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/media?parent=6344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}