{"id":8251,"date":"2022-07-28T16:39:02","date_gmt":"2022-07-28T19:39:02","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/?page_id=8251"},"modified":"2022-07-30T13:26:28","modified_gmt":"2022-07-30T16:26:28","slug":"indexxx","status":"publish","type":"page","link":"https:\/\/ciaexcessos.com.br\/en\/tales-frey\/exposicoes\/indexxx\/","title":{"rendered":"INDEXXX (2022)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/707399557?h=bda5816b0c&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"font-weight: 400; text-align: center;\"><span style=\"color: #000000;\">Exhibition <strong>INDEXXX<\/strong> (2022), by Tales Frey. Ocupa Gallery, Porto, Portugal. Promotional video for social networks<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\">In the window of Ocupa Gallery, there is an attractive finger. He points while turning, has red fingernails and testicles. In a cadenced vertigo, the object rotates and makes us lose ourselves in thoughts: what body network does Tales Frey signal at the entrance to the INDEXXX exhibition?<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">It is necessary to be inside the gallery to inhabit a kind of playful program that speaks directly to the body: our concreteness, proof of the \u201creal\u201d, is seen quartered, multiplied, hybridized, illuminated, dressed, stretched, entertained, televised.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">We enjoy an expanded reality, in which each element of this game for adults tensions something familiar and strange, always to the extent of risking a good meeting with the public.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">Laughing, wishing, alluding, confusing is also a form of involvement with the new and, perhaps, Frey is firm in the task of sharing his strategies to free himself from that normative version, constrained by contemporary life.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">\u201cINDEXXX\u201d is also an environmental aesthetic heir to current and nostalgic forms of a certain visual culture of the variety show, the music video, internet memes, the illuminated signs of any film in a dark Shanghai.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-US\" style=\"color: #000000;\">But, instead of the artist working for the cult of celebrity, of consumption dreams, of the validation of the \u201cI\u201d in social networks, he experiments with means for these devices of communication on a planetary scale to bend to a new order, an \u201calmost &#8211; cinema\u201d of those who have a taste for pain and the delight of being a tropical artist.<\/span><\/p>\n<div style=\"text-align: justify;\">\n<p><span lang=\"EN-US\" style=\"color: #000000;\">The finger points, the triad of backlights show the ABC of the ideographs-dicks, televisions broadcast artistic gymnastics, photos print on the walls, a dressing room is arranged right there where the meats of the butcher shop, now deactivated and which is now an art gallery, were hung. There are many discoveries in this exhibition.<\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Index is also the same as a list, including, in the past, it concerned the listing of works censored by the Catholic Church. It is only right that this artistic collection of Tales&#8217; body be made public, confronting in the present, what remains of a religious morality about the flesh and the soul<\/span>.<\/span><\/div>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400; text-align: right;\"><span style=\"color: #000000;\">Grasiele Sousa a.k.a Cabel\u00f3droma<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><b><span lang=\"EN-US\">ARTWORKS<\/span><\/b><\/span><\/h3>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>1)<\/strong>\u00a0Tales Frey,\u00a0<strong><span lang=\"EN-US\">Forefinger<\/span><\/strong><span lang=\"EN-US\">, 2022. Kinetic pvc object with acrylic paint and rotating motor<\/span>, 50 x 30 x 10 cm;<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>2)<\/strong>\u00a0Tales Frey,\u00a0<b><span lang=\"EN-US\">Double Penetration<\/span><\/b><span lang=\"EN-US\">, 2021. Wooden crates with light and acrylic, 120 x 10 x 15 cm each;<\/span><\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>3<\/strong><strong>)<\/strong>\u00a0Tales Frey,\u00a0<strong><span lang=\"EN-US\">XXL Lag With Single Foot \u2013 Manipulation I and II<\/span><\/strong><span lang=\"EN-US\">, 2021. Video, 04\u201921;<\/span><\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>4)<\/strong> Tales Frey,\u00a0<strong><span lang=\"EN-US\">The Body Never Exists In Itself<\/span><\/strong><span lang=\"EN-US\">, 2018. Photographs, 20 x 20 cm each;<\/span><\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>5)<\/strong>\u00a0Tales Frey,\u00a0<strong>Xuxona<\/strong>, 2022. Sculpture composed of papier-m\u00e2ch\u00e9, wig and padded elastics, 180 x 40 cm.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><b><span lang=\"EN-US\">Parallel Program<\/span><\/b><\/span><\/h3>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"text-decoration: underline; color: #000000;\"><span lang=\"EN-US\">April 30, 2022 at 3 pm<\/span><\/span><\/p>\n<div style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"EN-US\">Guided tour with Tales Frey<\/span>.<\/span><\/div>\n<p>&nbsp;<\/p>\n<h2><span style=\"color: #000000;\"><b>CREDITS<\/b><\/span><\/h2>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\">Tales Frey:\u00a0<em>INDEXXX\u00a0<\/em>| Ocupa Gallery, Porto, Portugal |\u00a0Critical essay: Grasiele Sousa | Graphic design: \u00bc Studio | Gallery management: Alexandre Teixeira | Acknowledgmentst: Hilda de Paulo, Leika Morishita e T\u00e2nia Dinis | Supports: Escola Superior de Educa\u00e7\u00e3o Polit\u00e9cnico do Porto and Criat\u00f3rio | April 16 to May 7, 2022<\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Exhibition INDEXXX (2022), by Tales Frey. Ocupa Gallery, Porto, Portugal. Promotional video for social [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5269,"menu_order":91,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8251","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/8251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/comments?post=8251"}],"version-history":[{"count":6,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/8251\/revisions"}],"predecessor-version":[{"id":8312,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/8251\/revisions\/8312"}],"up":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/5269"}],"wp:attachment":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/media?parent=8251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}