{"id":9116,"date":"2023-07-16T21:08:25","date_gmt":"2023-07-17T00:08:25","guid":{"rendered":"http:\/\/ciaexcessos.com.br\/?page_id=9116"},"modified":"2023-12-23T12:50:52","modified_gmt":"2023-12-23T15:50:52","slug":"amalgama","status":"publish","type":"page","link":"https:\/\/ciaexcessos.com.br\/en\/tales-frey\/criacoes\/amalgama\/","title":{"rendered":"Amalgam (2023)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/842303419?h=68a45edcd4&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"font-weight: 400; text-align: center;\"><span style=\"color: #000000;\">Tales Frey,\u00a0<strong>Amalgam<\/strong>, 2023. Video documentation.\u00a0<span lang=\"EN-US\">Edition: 15 <\/span><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><em>\u00a0<\/em><\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\">In an attempt to elaborate an aesthetic solution capable of harmonizing twelve distinct singularities in a conviviality that could be an analogy about living in a democracy, considering cultural repertoires and dissimilar desires, \u201cAmalgam\u201d appears, a show that has as its central subject the body as a provisional state of a complex collection of information from the context in which it is inserted, the subversion of identity and its inherent subjectivities. And so, based on the knowledge that the subject is not something pre-existing and that, therefore, it is in constant process and always constituted in the discourse by the acts it performs, this creation asserts itself as an emancipatory encounter in which the concept of gender it cannot be restricted to the requirements of the cisheteronorm, which compulsorily imposes a limited male\/female pair.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\">In a movement of denial of universalizing categories, amid a tangle of costumes and accessories already used in previous situations and now recycled for this context, many unstable identities are erected, revealing volatile subjects as performative constructs, sustaining gender identity as a sequence of acts.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\">The bonds formed between the only materials used in action and the huge differences between each performer underline the idea that we cannot live without another subject and, with that, \u201cAmalgam\u201d brings up the notion of social and ecological interdependence as well.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><span style=\"font-weight: 400;\">This staging presents basic references of Tales Frey&#8217;s research in the relationship between the skin and the textile layers placed or imposed on it and, thus, creation inevitably reflects on the relationship between clothing and culture. In addition to the most notorious works of the artist\u2019s career, such as \u201cCommon Point\u201d (2017), \u201cThe Body Never Exists in Itself\u201d (2018), \u201cRed Carpet\u201d (2019) and \u201cConducting Wire\u201d (2020), some references The more direct ones are made explicit, as is the case of the work \u201cT\u00fanel\u201d (1970), by Lygia Clark, which enables a kind of rite of passage to take place in a space that blurs likely boundaries between audience and performers, asserting a sensory experience and collective. Other cited works are: \u201cUntitled (Double)\u201d (2002), by Erwin Wurm and the \u201cParangol\u00e9s\u201d (1964-1979) by H\u00e9lio Oiticica<\/span>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2><span style=\"color: #000000;\"><strong>CREDITS<\/strong><\/span><\/h2>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>Direction<\/strong>: Tales Frey<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>Performers<\/strong>: Ana Marques Nogueira, Ant\u00f3nio Nesil, Arduim, Bruna Marques, Clara Eloy Fran\u00e7a, Duarte da Silva, J\u00falia Zuccon, Maria Ant\u00f3nia Torres, Sandra Amado, Sophie Schewe, Ver\u00f4nica Bertolini and Veronica Zanon<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>Production\/Management<\/strong>: CITAC<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>Lights<\/strong>: Diogo Lobo<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>Sound<\/strong>: Tales Frey<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>Make-up assistance<\/strong>: Tatiana Almeida<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>Support<\/strong>: C\u00e2mara Municipal de Coimbra, Universidade de Coimbra, Dire\u00e7\u00e3o Regional de Cultura do Centro, SASUC, GEFAC, Sal\u00e3o Brazil, M\u00e1fia, Duarte\u2019s Alojamento Local, TEUC, SESLA, A Escola da Noite, CITEC, A Cabra, RUC e TAGV<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>Thanks<\/strong>: \u00c2ndria do O, Lu\u00eds Costa, Ta\u00eds Schwingel, Tom\u00e1s Sardico, Jo\u00e3o Pedro S. Caraca, Marcelo Scantamburio, Fam\u00edlia Amado, L\u00facia Torres, Z\u00e9 Diogo, Elara Muller, Vanda Madureira, Ant\u00f3nio Olaio, Gui Silvestre, Hilda de Paulo, Hugo In\u00e1cio, Catarina Santana, Joana Pupo, Zeca Carvalho, Andr\u00e9s Bezares e Matilde Javier Cir\u00eda<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>\u00a0<\/strong><\/span><\/p>\n<h2><span style=\"color: #000000;\"><strong>TRAJECTORY<\/strong><\/span><\/h2>\n<h3 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><u>LIVE<\/u><\/strong><\/span><\/h3>\n<div><span style=\"color: #000000;\"><strong>[2023]\u00a0<\/strong>Teatro Esther de Carvalho, Montemor-o-Velho, Portugal.<\/span><\/div>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2023]\u00a0<\/strong>TAGV Teatro Acad\u00e9mico de Gil Vicente, Coimbra, Portugal.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"color: #000000;\"><strong>[2023]\u00a0<\/strong>CITAC C\u00edrculo de Inicia\u00e7\u00e3o Teatral da Academia de Coimbra, Coimbra, Portugal.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-9349 size-full\" title=\"Tales Frey,\u00a0&quot;Amalgam - Triptych&quot;, 2023.\u00a0Photos, 50 x 50 cm each. Edition: 5 + 2 P.A. + 2 P.I.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/12\/Tales-Frey-Amalgama-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"840\" srcset=\"https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/12\/Tales-Frey-Amalgama-scaled.jpeg 2560w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/12\/Tales-Frey-Amalgama-300x98.jpeg 300w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/12\/Tales-Frey-Amalgama-1024x336.jpeg 1024w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/12\/Tales-Frey-Amalgama-768x252.jpeg 768w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/12\/Tales-Frey-Amalgama-1536x504.jpeg 1536w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/12\/Tales-Frey-Amalgama-2048x672.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/span><\/p>\n<p style=\"font-weight: 400; text-align: center;\"><span style=\"color: #000000;\">Tales Frey,\u00a0<strong>Amalgam &#8211; Triptych<\/strong>, 2023.\u00a0<span lang=\"EN-US\">Photos, 50 x 50 cm each. Edition: 5 + 2 P.A. + 2 P.I.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-9127 size-full\" title=\"&quot;Campe\u00e3o das Prov\u00edncias&quot; newspaper, Coimbra, Abril 5, 2023.\" src=\"http:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/07\/Campeao-das-Provincias-Tales-Frey.jpeg\" alt=\"\" width=\"1240\" height=\"1753\" srcset=\"https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/07\/Campeao-das-Provincias-Tales-Frey.jpeg 1240w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/07\/Campeao-das-Provincias-Tales-Frey-212x300.jpeg 212w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/07\/Campeao-das-Provincias-Tales-Frey-724x1024.jpeg 724w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/07\/Campeao-das-Provincias-Tales-Frey-768x1086.jpeg 768w, https:\/\/ciaexcessos.com.br\/ciawp\/wp-content\/uploads\/2023\/07\/Campeao-das-Provincias-Tales-Frey-1087x1536.jpeg 1087w\" sizes=\"auto, (max-width: 1240px) 100vw, 1240px\" \/><\/span><\/p>\n<p style=\"font-weight: 400; text-align: center;\"><span style=\"color: #000000;\"><strong>Campe\u00e3o das Prov\u00edncias <\/strong>newspaper, Coimbra, Abril 5, 2023<\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Tales Frey,\u00a0Amalgam, 2023. Video documentation.\u00a0Edition: 15 \u00a0 In an attempt to elaborate an aesthetic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":54,"menu_order":469,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9116","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/9116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/comments?post=9116"}],"version-history":[{"count":8,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/9116\/revisions"}],"predecessor-version":[{"id":9351,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/9116\/revisions\/9351"}],"up":[{"embeddable":true,"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"https:\/\/ciaexcessos.com.br\/en\/wp-json\/wp\/v2\/media?parent=9116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}