Tales Frey, The Body Never Exists in Itself. Performance showed in São Paulo, Brazil. October 2018. Photo by Carol Vidal
Simple and random poses performed by bodies devoid of identity in short and controlled times. It is in this way that five performers use their corporeal masses either to refer to the dance or sometimes to remember the sculpture. In allusion to Man Ray’s surrealist masterpiece, “Object to be Destroyed” (1923), in addition to readings based on narratives and unpredictable effects, there is a clear proposal for a rhythmic observation of the work.
CREDITS
Performance by Tales Frey
Invited Performers: André Perosa, Fernanda Moraes, Gui Silvestre, Gustavo Frey, Helena Ferreira, Hilda de Paulo, Letícia Maia, Lyz Parayzo, Lucas Alves, Marianna London, Paola Frey, Renan Marcondes, Vítor Moraes and Yuri Machado.
Duration: 120 minutes
TRAJECTORY
LIVE
[2021] Unstable Stages, Teatro Municipal do Porto – Campo Alegre, Porto, Portugal.
[2019] LIMIAR. SESC Bauru, Bauru- SP, Brazil.
[2019] SESC Rio Preto, São José do Rio Preto- SP, Brazil.
[2019] SESC Jundiaí, Jundiaí-SP, Brazil.
[2018] SESC Av. Paulista, São Paulo-SP, Brazil.
AS OBJECT, PHOTOGRAPHY AND VIDEO
[2022] SESC Campinas. Campinas-SP, Brazil.
[2021] Unstable Stages, Teatro Municipal do Porto – Campo Alegre, Porto, Portugal.
Tales Frey, The Body Never Exists in Itself, 2018-2021. Teatro Municipal do Porto – Campo Alegre. Video by Tundra Filmes, 59’11”
Tales Frey, The Body Never Exists in Itself. Performance showed in São José do Rio Preto-SP, Brazil. June 2018. Photo by Hilda de Paulo
Tales Frey, The Body Never Exists in Itself, 2022. Photographs, 20 x 20 cm each
Tales Frey, The Body Never Exists in Itself, 2018. Video, 3’16”