Tales Frey, Sensitive Group, 2018. Interactive dressing, 100 x 100 cm. Edition: 20 + 2 P.A.
The idea of a “Sensitive Group” is based on a basic problem of political thought, which consists in proposing guarantees of harmonious experiences in a common unit, considering the various singularities, the dissimilar subjectivities.
The work can be exposed as an interactive object and activated from the following instruction:
Minimum 3 and maximum 5 persons. Remove shoes, coats, belts, earrings, bracelets and other objects that could damage the material and leave them to indicate area. Each one should enter the bag carefully so as not to tear it. Close the zipper and move around the space. Move all the time during the stay in the textile.
TRAJECTORY
LIVE
[2022] SESC Santo Amaro. Sao Paulo-SP, Brazil.
[2022] SESC Campinas. Campinas-SP, Brazil.
[2021] Double Trouble #2. Teatro Rivoli. Porto, Portugal.
[2019] LIMIAR. SESC Bauru, Bauru-SP, Brazil.
[2019]SESC Sorocaba, Sorocaba-SP, Brazil
[2019] SESC Interlagos. Sao Paulo, SP, Brazil.
[2019] SESC Jundiaí. Jundiaí, SP, Brazil.
AS INSTALLATION
[2019] In Dance Positions. Curadoria de Daniela Labra. Centro Municipal de Arte Hélio Oiticica, Rio de Janeiro,RJ, Brasil.
[2019] Five Activation Tacts. CAAA – Centro para os Assuntos da Arte e Arquitectura. Guimarães, Portugal.
[2018] Via Aberta. Curators by Luisa Mota, José Almeida Pereira, José Maia and José Oliveira. Mota Galiza Comercial Center. Porto, Portugal.
[2018]The Body Never Exists in Itself – First Experimentation. Zsenne Art Laboratory, Brussels, Belgium
Sensitive Group (2018), by Tales Frey, in the collective exhibition In Position of Dance. Centro Municipal de Arte Helio Oiticica, Rio de Janeiro-RJ, Brazil, 2019. Photograph by Hilda de Paulo
Tales Frey, Sensitive Group. Relational costume activated in Brussels, Belgium. September 2018
Tales Frey, Sensitive Group. Relational costume activated in Brussels, Belgium. September 2018