Tales Frey, (Cross)dressing, 2015. Video, 45”. Edition: 7 + 2 P.A.
The video exposes two male bodies and each one with two kinds of marriage clothes: sometimes considerate male and sometimes feminine. A social fact is erected in four willing types of clothes combinations on each individual in a single homosexual couple, considering their identities, like all others, that they are not crystallized, they are not fixed structures; they are constantly building and surpass even the four building proposals.
 Collective Exhibition Feminists Transits. CES – Center for Social Studies, Coimbra, Portugal.
 Collective Exhibition Liquid Word. SESC Tijuca, Rio de Janeiro, Brazil.
 SESC Campinas, Campinas, SP, Brazil.
 Collective Exhibition Sob (Ul)Trajes e Gozos. Curated by Suianni Macedo. Júlio Dinis Museum, Ovar, Portugal.
 Collective Exhibition In State of War. Organized by Hilda de Paulo and Tales Frey. Teatro Académico de Gil Vicente, Coimbra, Portugal.
 TRANS[acto]#01/2015. Curated by Isabel Maria Dos. Coimbra, Portugal.
 Collective Exhibition (Tra)vestir um fa(c)to. Curated by José Maia. Espaço MIRA, Porto, Portugal.
Tales Frey, (Cross)Dressing (Polyptych), 2015. Photos, 100 x 44,4 cm. Edition: 7 + 2 P.A.
(Cross)Dressing (2015), by Tales Frey at the collective exhibition Sob (Ul)Trajes e Gozos, curated by Suianni Macedo. Júlio Dinis Museum, Ovar, Portugal, 2016. Photo by Manuel Vitoriano
(Cross)Dressing (2015), by Tales Frey at the collective exhibition TRANS[acto]#01/2015, curated by Isabel Maria Dos. Coimbra, Portugal. Photo by Isabel Maria Dos