Tales Frey, (Cross)dressing, 2015. Video, 45”. Edition: 7 + 2 P.A.
The video exposes two male bodies and each one with two kinds of marriage clothes: sometimes considerate male and sometimes feminine. A social fact is erected in four willing types of clothes combinations on each individual in a single homosexual couple, considering their identities, like all others, that they are not crystallized, they are not fixed structures; they are constantly building and surpass even the four building proposals.
TRAJECTORY
[2017] Collective Exhibition Feminists Transits. CES – Center for Social Studies, Coimbra, Portugal.
[2017] Collective Exhibition Liquid Word. SESC Tijuca, Rio de Janeiro, Brazil.
[2016] SESC Campinas, Campinas, SP, Brazil.
[2016] Collective Exhibition Sob (Ul)Trajes e Gozos. Curated by Suianni Macedo. Júlio Dinis Museum, Ovar, Portugal.
[2016] Collective Exhibition In State of War. Organized by Hilda de Paulo and Tales Frey. Teatro Académico de Gil Vicente, Coimbra, Portugal.
[2015] TRANS[acto]#01/2015. Curated by Isabel Maria Dos. Coimbra, Portugal.
[2015] Collective Exhibition (Tra)vestir um fa(c)to. Curated by José Maia. Espaço MIRA, Porto, Portugal.
Tales Frey, (Cross)Dressing (Polyptych), 2015. Photos, 100 x 44,4 cm. Edition: 7 + 2 P.A.
(Cross)Dressing (2015), by Tales Frey at the collective exhibition Sob (Ul)Trajes e Gozos, curated by Suianni Macedo. Júlio Dinis Museum, Ovar, Portugal, 2016. Photo by Manuel Vitoriano
(Cross)Dressing (2015), by Tales Frey at the collective exhibition TRANS[acto]#01/2015, curated by Isabel Maria Dos. Coimbra, Portugal. Photo by Isabel Maria Dos